Dare Collection October 2019
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- Жанр: зарубежная фантастика, зарубежные любовные романы, короткие любовные романы, современная зарубежная литература, эротические романыРедактировать
About the Authors
USA TODAY bestselling and RITA® Award–nominated author CAITLIN CREWS loves writing romance. She teaches her favourite romance novels in creative writing classes at places like UCLA Extension’s prestigious Writers’ Program, where she finally gets to utilise the MA and PhD in English Literature that she received from the University of York in England. She currently lives in the Pacific Northwest, with her very own hero and too many pets. Visit her at caitlincrews.com.
MARGOT RADCLIFFE lives in Columbus, Ohio, right now, but surrenders to wanderlust every couple of years, so it’s hard to say where she’ll end up next. Regardless of location, her apricot dog will be by her side while she writes fun romances that hopefully make readers laugh and space out for a bit. With heroines who aren’t afraid to take what they want and confident heroes who are up to a challenge, she loves creating complicated modern relationships. She can be found @margotradcliffe on Twitter and @margot_radcliffe on Instagram.
TARYN BELLE is the pen name of Cea Person, a bestselling Canadian author who wrote about her unconventional childhood in two memoirs, North of Normal and Nearly Normal, both published by HarperCollins. She is a former international model and a businesswoman, who runs a swimwear company with merchandise popularised by celebrities such as Jessica Alba and Kate Hudson. She loves playing board games with her husband and three children, hosting dinner parties in her Vancouver home and crafting out.
KELLI IRELAND spent a decade as a name on a door in corporate America. Unexpectedly liberated by fate’s sense of humour, she chose to carpe the diem and pursue her passion for writing. A fan of happily-ever-afters, she found she loved being puppetmaster for the most unlikely couples. Seeing them through the best and worst of each other while helping them survive the joys and disasters of falling in love… Best. Thing. Ever. Visit Kelli’s website at kelliireland.com.
The Dare Collection October 2019
The Risk
Caitlin Crews
Friends with Benefits
Margot Radcliffe
In Too Deep
Taryn Belle
Matched
Kelli Ireland
ISBN: 978-1-474-09764-2
THE DARE COLLECTION OCTOBER 2019
The Risk © 2019 Caitlin Crews Friends with Benefits © 2019 Margot Radcliffe In Too Deep © 2019 Cea Sunrise Person Matched © 2019 Denise Tomkins
Published in Great Britain 2019
by Mills & Boon, an imprint of HarperCollins Publishers 1 London Bridge Street, London, SE1 9GF
All rights reserved including the right of reproduction in whole or in part in any form. This edition is published by arrangement with Harlequin Books S.A.
This is a work of fiction. Names, characters, places, locations and incidents are purely fictional and bear no relationship to any real life individuals, living or dead, or to any actual places, business establishments, locations, events or incidents. Any resemblance is entirely coincidental.
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Version: 2020-03-02
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Table of Contents
Cover
About the Authors
Title Page
Copyright
Note to Readers
The Risk
Back Cover Text
Booklist
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
CHAPTER TEN
CHAPTER ELEVEN
CHAPTER TWELVE
CHAPTER THIRTEEN
Friends with Benefits
Back Cover Text
Dedication
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
CHAPTER TEN
CHAPTER ELEVEN
CHAPTER TWELVE
CHAPTER THIRTEEN
CHAPTER FOURTEEN
CHAPTER FIFTEEN
CHAPTER SIXTEEN
CHAPTER SEVENTEEN
CHAPTER EIGHTEEN
In Too Deep
Back Cover Text
Dedication
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
CHAPTER TEN
CHAPTER ELEVEN
CHAPTER TWELVE
CHAPTER THIRTEEN
CHAPTER FOURTEEN
CHAPTER FIFTEEN
CHAPTER SIXTEEN
CHAPTER SEVENTEEN
CHAPTER EIGHTEEN
Matched
Back Cover Text
Dedication
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
CHAPTER TEN
CHAPTER ELEVEN
CHAPTER TWELVE
CHAPTER THIRTEEN
CHAPTER FOURTEEN
CHAPTER FIFTEEN
About the Publisher
The Risk
Caitlin Crews
In the second installment of The Billionaires Club quartet, arrogant tycoon Sebastian Dumont risks everything for one night with an exquisite dancer…whose dark fantasy leaves him wanting more.
Love is a risk I will never take, a prize too good for a man who betrayed his family. That’s why I prefer to keep things transactional. So when I see an exquisite dancer in the exclusive Parisian billionaires club, turning her burlesque into an erotic art form, I’ll give whatever it takes to have her…
She is mine for one night, to do with as I please. But following my commands seems to bring her as much pleasure as it does me. And I can’t help wondering at her performance. She almost makes me believe this is a fantasy of her own making.
I’m not ready to let her go after just one night, but I never imagined my hunt would lead me to New York City, or to a restrained and disciplined ballerina. Stoking the fire that rages between us could be the biggest risk I’ve ever taken…one that may cost me everything, including my damaged heart.
Harlequin DARE publishes sexy romances featuring powerful alpha heroes and bold, fearless heroines exploring their deepest fantasies.
Four new Harlequin DARE titles are available each month, wherever ebooks are sold!
The Risk is the second instalment of The Billionaires Club series, which began with
The Debt by Jackie Ashenden
and continues with
The Proposition by JC Harroway The Deal by Clare Connelly
Join an exclusive, elite, exciting world and meet the
globe’s sexiest billionaires!
Discover more at millsandboon.co.uk
CHAPTER ONE
Darcy
ONCE I WALKED through the door, there was no going back.
I stood there on the Paris street in the thick, rich darkness of an autumn night, staring at the discreetly unmarked door in question. I was breathing hard and felt faintly dizzy, as if I’d danced a difficult night of several shows on very little food.
I was used to the feeling. It was the reason for the feeling that was making my heart pound tonight.
I had signed all the documents, in triplicate, from the straightforward performance contract to several different NDAs that would make certain I never dreamed of telling a soul what happened within the walls of the M Club. To me or around me. I had practiced the burlesque routine that was my entrance into this excruciatingly private club in Paris—though I’d been informed there were many other locations scattered across the globe—until I could do it in my sleep.
“All you have to do is dance,” my friend Annabelle had told me with an eye roll when she’d asked me to take her place here at M Club. “Or whatever you want to call it.”
We’d laughed, because we were proper, professional ballet dancers, not burlesque performers. We dedicated our lives to perfecting lines and steps, counts and patterns, in a world-renowned ballet company. We didn’t play pretend with feathers and bloomers or whatever it was burlesque was meant to do when, really, it was just a striptease. Emphasis on tease.
And, yes, we were maybe a little full of ourselves. Annabelle and I had met in the corps de ballet of the prestigious Knickerbocker Ballet in New York City when we were both seventeen. Ten years of dancing and struggling through injuries and setbacks, occasional partying and rooming together in a tiny walk-up in New York City, and we were still hanging in there.
That we were both still—and only—members of the company meant, of course, that we were not likely to be promoted to principal dancers, despite whatever dreams we’d had as younger, newer dancers. It also meant that our inevitable retirements were looming, whether we wanted to stop dancing or not.
No one wanted to stop dancing. I certainly didn’t. But the body could only take so much, and nothing but sheer greatness in the eyes of the world—and demanding artistic directors—ever seemed to combat the ravages of gravity. Soloists and principal dancers were more likely to fight their way toward the age of forty before retiring—when their bodies finally gave out after too many surgeries and untreated injuries and the daily toll of so much pointed use. Or when they could no longer maintain the preferred form and appearance required by most of the major ballet companies, no matter what lip service they might give to a newer, more body-positive approach. Ballet was about precision. And even the most celebrated principals were forbidden the creeping ravages of age.
But dancers who had never made it out of the corps in the first place? They leaned in hard, made themselves indispensable and became ballet mistresses when they could no longer perform, like the Knickerbocker’s much-feared and widely respected Miss Fortunato. Otherwise, they tended to give up the fight sooner, usually after a steep downward spiral from an esteemed company like Knickerbocker through far less demanding organizations until even those wouldn’t have them.
That I knew my own future didn’t make it any less grim. I did my best to focus on the day before me, not the future I couldn’t change no matter what I did.
It didn’t surprise me that Annabelle had found yet another new and strange way to get her center stage fix, while crossing as many lines as possible in the process. She had always been the adventurous one.
For every lover I took, Annabelle took three. At once, whenever possible. Annabelle’s boundaries were fluid, smoky. One year, between seasons, she beguiled a well-known older Broadway actress who still called our apartment, all these years later, begging for one more night. Another year, while nursing a broken ankle that took her out of the company, she had entertained two princes and a number of politicians on the sort of Mediterranean yachts that were forever appearing in the tabloids.
Last year, when rent money had been scarce between our performance seasons, Annabelle had decided that she might as well monetize her dating life. She’d found the initial experience electrifying. She liked to indulge herself on nights we didn’t perform, and liked to tell me every scandalous detail of the men who paid her for the privilege of touching her.
Others might call it escorting. They might use other, less euphemistic words. But Annabelle didn’t care what anyone else thought of her. And I was the one who pretended to find her stories scandalous…and then, when I was alone in the dark, imagined it was me starring in all those dark and dirty scenes.
“And if you’re not too afraid,” she’d told me, when we’d finished laughing about burlesque and the idea that it was on a par with what we did, “who knows? Maybe you can finally do something about your own prudishness.”
“Your definition of a prude is anyone else’s definition of a lusty, committed whore,” I pointed out drily.
It had been a morning last spring. We’d been limbering up before the daily company class, which we took every morning before the afternoons of rehearsals and the evening shows. We stood in the back of the studio space behind the Knickerbocker theater, because everything in ballet was a hierarchy, even where we practiced. I was trying to pretend that my body was as supple and invincible as it had felt when I was seventeen and had believed that, truly, I could fly. And had, here and there, across stages in my toe shoes.
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