The Last Days of Pompeii

'There is a love, beautiful Greek, which is not the love only of the thoughtless and the young—there is a love which sees not with the eyes, which hears not with the ears; but in which soul is enamoured of soul. The countryman of thy ancestors, the cave-nursed Plato, dreamed of such a love—his followers have sought to imitate it; but it is a love that is not for the herd to echo—it is a love that only high and noble natures can conceive—it hath nothing in common with the sympathies and ties of coarse affection—wrinkles do not revolt it—homeliness of feature does not deter; it asks youth, it is true, but it asks it only in the freshness of the emotions; it asks beauty, it is true, but it is the beauty of the thought and of the spirit. Such is the love, O Ione, which is a worthy offering to thee from the cold and the austere. Austere and cold thou deemest me—such is the love that I venture to lay upon thy shrine—thou canst receive it without a blush.'

'And its name is friendship!' replied Ione: her answer was innocent, yet it sounded like the reproof of one conscious of the design of the speaker.

'Friendship!' said Arbaces, vehemently. 'No; that is a word too often profaned to apply to a sentiment so sacred. Friendship! it is a tie that binds fools and profligates! Friendship! it is the bond that unites the frivolous hearts of a Glaucus and a Clodius! Friendship! no, that is an affection of earth, of vulgar habits and sordid sympathies; the feeling of which I speak is borrowed from the stars'—it partakes of that mystic and ineffable yearning, which we feel when we gaze on them—it burns, yet it purifies—it is the lamp of naphtha in the alabaster vase, glowing with fragrant odorous, but shining only through the purest vessels. No; it is not love, and it is not friendship, that Arbaces feels for Ione. Give it no name—earth has no name for it—it is not of earth—why debase it with earthly epithets and earthly associations?'

Never before had Arbaces ventured so far, yet he felt his ground step by step: he knew that he uttered a language which, if at this day of affected platonisms it would speak unequivocally to the ears of beauty, was at that time strange and unfamiliar, to which no precise idea could be attached, from which he could imperceptibly advance or recede, as occasion suited, as hope encouraged or fear deterred. Ione trembled, though she knew not why; her veil hid her features, and masked an expression, which, if seen by the Egyptian, would have at once damped and enraged him; in fact, he never was more displeasing to her—the harmonious modulation of the most suasive voice that ever disguised unhallowed thought fell discordantly on her ear. Her whole soul was still filled with the image of Glaucus; and the accent of tenderness from another only revolted and dismayed; yet she did not conceive that any passion more ardent than that platonism which Arbaces expressed lurked beneath his words. She thought that he, in truth, spoke only of the affection and sympathy of the soul; but was it not precisely that affection and that sympathy which had made a part of those emotions she felt for Glaucus; and could any other footstep than his approach the haunted adytum of her heart?

Anxious at once to change the conversation, she replied, therefore, with a cold and indifferent voice, 'Whomsoever Arbaces honors with the sentiment of esteem, it is natural that his elevated wisdom should color that sentiment with its own hues; it is natural that his friendship should be purer than that of others, whose pursuits and errors he does not deign to share. But tell me, Arbaces, hast thou seen my brother of late? He has not visited me for several days; and when I last saw him his manner disturbed and alarmed me much. I fear lest he was too precipitate in the severe choice that he has adopted, and that he repents an irrevocable step.'

'Be cheered, Ione,' replied the Egyptian. 'It is true that, some little time since he was troubled and sad of spirit; those doubts beset him which were likely to haunt one of that fervent temperament, which ever ebbs and flows, and vibrates between excitement and exhaustion. But he, Ione, he came to me his anxieties and his distress; he sought one who pitied me and loved him; I have calmed his mind—I have removed his doubts—I have taken him from the threshold of Wisdom into its temple; and before the majesty of the goddess his soul is hushed and soothed. Fear not, he will repent no more; they who trust themselves to Arbaces never repent but for a moment.'

'You rejoice me,' answered Ione. 'My dear brother! in his contentment I am happy.'

The conversation then turned upon lighter subjects; the Egyptian exerted himself to please, he condescended even to entertain; the vast variety of his knowledge enabled him to adorn and light up every subject on which he touched; and Ione, forgetting the displeasing effect of his former words, was carried away, despite her sadness, by the magic of his intellect. Her manner became unrestrained and her language fluent; and Arbaces, who had waited his opportunity, now hastened to seize it.

'You have never seen,' said he, 'the interior of my home; it may amuse you to do so: it contains some rooms that may explain to you what you have often asked me to describe—the fashion of an Egyptian house; not indeed, that you will perceive in the poor and minute proportions of Roman architecture the massive strength, the vast space, the gigantic magnificence, or even the domestic construction of the palaces of Thebes and Memphis; but something there is, here and there, that may serve to express to you some notion of that antique civilization which has humanized the world. Devote, then, to the austere friend of your youth, one of these bright summer evenings, and let me boast that my gloomy mansion has been honored with the presence of the admired Ione.'

Unconscious of the pollutions of the mansion, of the danger that awaited her, Ione readily assented to the proposal. The next evening was fixed for the visit; and the Egyptian, with a serene countenance, and a heart beating with fierce and unholy joy, departed. Scarce had he gone, when another visitor claimed admission.... But now we return to Glaucus.

Chapter V
THE POOR TORTOISE. NEW CHANGES FOR NYDIA

THE morning sun shone over the small and odorous garden enclosed within the peristyle of the house of the Athenian. He lay reclined, sad and listlessly, on the smooth grass which intersected the viridarium; and a slight canopy stretched above, broke the fierce rays of the summer sun.

When that fairy mansion was first disinterred from the earth they found in the garden the shell of a tortoise that had been its inmate. That animal, so strange a link in the creation, to which Nature seems to have denied all the pleasure of life, save life's passive and dream-like perception, had been the guest of the place for years before Glaucus purchased it; for years, indeed which went beyond the memory of man, and to which tradition assigned an almost incredible date. The house had been built and rebuilt—its possessors had changed and fluctuated—generations had flourished and decayed—and still the tortoise dragged on its slow and unsympathizing existence. In the earthquake, which sixteen years before had overthrown many of the public buildings of the city, and scared away the amazed inhabitants, the house now inhabited by Glaucus had been terribly shattered. The possessors deserted it for many days; on their return they cleared away the ruins which encumbered the viridarium, and found still the tortoise, unharmed and unconscious of the surrounding destruction. It seemed to bear a charmed life in its languid blood and imperceptible motions; yet it was not so inactive as it seemed: it held a regular and monotonous course; inch by inch it traversed the little orbit of its domain, taking months to accomplish the whole gyration. It was a restless voyager, that tortoise!—patiently, and with pain, did it perform its self-appointed journeys, evincing no interest in the things around it—a philosopher concentrated in itself. There was something grand in its solitary selfishness!—the sun in which it basked—the waters poured daily over it—the air, which it insensibly inhaled, were its sole and unfailing luxuries. The mild changes of the season, in that lovely clime, affected it not. It covered itself with its shell—as the saint in his piety—as the sage in his wisdom—as the lover in his hope.

It was impervious to the shocks and mutations of time—it was an emblem of time itself: slow, regular, perpetual; unwitting of the passions that fret themselves around—of the wear and tear of mortality. The poor tortoise! nothing less than the bursting of volcanoes, the convulsions of the riven world, could have quenched its sluggish spark! The inexorable Death, that spared not pomp or beauty, passed unheedingly by a thing to which death could bring so insignificant a change.

For this animal the mercurial and vivid Greek felt all the wonder and affection of contrast. He could spend hours in surveying its creeping progress, in moralizing over its mechanism. He despised it in joy—he envied it in sorrow.

Regarding it now as he lay along the sward—its dull mass moving while it seemed motionless, the Athenian murmured to himself:

'The eagle dropped a stone from his talons, thinking to break thy shell: the stone crushed the head of a poet. This is the allegory of Fate! Dull thing! Thou hadst a father and a mother; perhaps, ages ago, thou thyself hadst a mate. Did thy parents love, or didst thou? Did thy slow blood circulate more gladly when thou didst creep to the side of thy wedded one? Wert thou capable of affection? Could it distress thee if she were away from thy side? Couldst thou feel when she was present? What would I not give to know the history of thy mailed breast—to gaze upon the mechanism of thy faint desires—to mark what hair—breadth difference separates thy sorrow from thy joy! Yet, methinks, thou wouldst know if Ione were present! Thou wouldst feel her coming like a happier air—like a gladder sun. I envy thee now, for thou knowest not that she is absent; and I—would I could be like thee—between the intervals of seeing her! What doubt, what presentiment, haunts me! why will she not admit me? Days have passed since I heard her voice. For the first time, life grows flat to me. I am as one who is left alone at a banquet, the lights dead, and the flowers faded. Ah! Ione, couldst thou dream how I adore thee!'

From these enamoured reveries, Glaucus was interrupted by the entrance of Nydia. She came with her light, though cautious step, along the marble tablinum. She passed the portico, and paused at the flowers which bordered the garden. She had her water-vase in her hand, and she sprinkled the thirsting plants, which seemed to brighten at her approach. She bent to inhale their odor. She touched them timidly and caressingly. She felt, along their stems, if any withered leaf or creeping insect marred their beauty. And as she hovered from flower to flower, with her earnest and youthful countenance and graceful motions, you could not have imagined a fitter handmaid for the goddess of the garden.

'Nydia, my child!' said Glaucus.

At the sound of his voice she paused at once—listening, blushing, breathless; with her lips parted, her face upturned to catch the direction of the sound, she laid down the vase—she hastened to him; and wonderful it was to see how unerringly she threaded her dark way through the flowers, and came by the shortest path to the side of her new lord.

'Nydia,' said Glaucus, tenderly stroking back her long and beautiful hair, 'it is now three days since thou hast been under the protection of my household gods. Have they smiled on thee? Art thou happy?'

'Ah! so happy!' sighed the slave.

'And now,' continued Glaucus, 'that thou hast recovered somewhat from the hateful recollections of thy former state,—and now that they have fitted thee (touching her broidered tunic) with garments more meet for thy delicate shape—and now, sweet child, that thou hast accustomed thyself to a happiness, which may the gods grant thee ever! I am about to pray at thy hands a boon.'

'Oh! what can I do for thee?' said Nydia, clasping her hands.

'Listen,' said Glaucus, 'and young as thou art, thou shalt be my confidant. Hast thou ever heard the name of Ione?'

The blind girl gasped for breath, and turning pale as one of the statues which shone upon them from the peristyle, she answered with an effort, and after a moment's pause:

'Yes! I have heard that she is of Neapolis, and beautiful.'

'Beautiful! her beauty is a thing to dazzle the day! Neapolis! nay, she is Greek by origin; Greece only could furnish forth such shapes. Nydia, I love her!'

'I thought so,' replied Nydia, calmly.

'I love, and thou shalt tell her so. I am about to send thee to her. Happy Nydia, thou wilt be in her chamber—thou wilt drink the music of her voice—thou wilt bask in the sunny air of her presence!'

'What! what! wilt thou send me from thee?'

'Thou wilt go to Ione,' answered Glaucus, in a tone that said, 'What more canst thou desire?'

Nydia burst into tears.

Glaucus, raising himself, drew her towards him with the soothing caresses of a brother.

'My child, my Nydia, thou weepest in ignorance of the happiness I bestow on thee. She is gentle, and kind, and soft as the breeze of spring. She will be a sister to thy youth—she will appreciate thy winning talents—she will love thy simple graces as none other could, for they are like her own. Weepest thou still, fond fool? I will not force thee, sweet. Wilt thou not do for me this kindness?'

'Well, if I can serve thee, command. See, I weep no longer—I am calm.'

'That is my own Nydia,' continued Glaucus, kissing her hand. 'Go, then, to her: if thou art disappointed in her kindness—if I have deceived thee, return when thou wilt. I do not give thee to another; I but lend. My home ever be thy refuge, sweet one. Ah! would it could shelter all the friendless and distressed! But if my heart whispers truly, I shall claim thee again soon, my child. My home and Ione's will become the same, and thou shalt dwell with both.'

A shiver passed through the slight frame of the blind girl, but she wept no more—she was resigned.

'Go, then, my Nydia, to Ione's house—they shall show thee the way. Take her the fairest flowers thou canst pluck; the vase which contains them I will give thee: thou must excuse its unworthiness. Thou shalt take, too, with thee the lute that I gave thee yesterday, and from which thou knowest so well to awaken the charming spirit. Thou shalt give her, also, this letter, in which, after a hundred efforts, I have embodied something of my thoughts. Let thy ear catch every accent, every modulation of her voice, and tell me, when we meet again, if its music should flatter me or discourage. It is now, Nydia, some days since I have been admitted to Ione; there is something mysterious in this exclusion. I am distracted with doubts and fears; learn—for thou art quick, and thy care for me will sharpen tenfold thy acuteness—learn the cause of this unkindness; speak of me as often as thou canst; let my name come ever to thy lips: insinuate how I love rather than proclaim it; watch if she sighs whilst thou speakest, if she answer thee; or, if she reproves, in what accents she reproves. Be my friend, plead for me: and oh! how vastly wilt thou overpay the little I have done for thee! Thou comprehendest, Nydia; thou art yet a child—have I said more than thou canst understand?'

'No.'

'And thou wilt serve me?'

'Yes.'

'Come to me when thou hast gathered the flowers, and I will give thee the vase I speak of; seek me in the chamber of Leda. Pretty one, thou dost not grieve now?'

'Glaucus, I am a slave; what business have I with grief or joy?'

'Sayest thou so? No, Nydia, be free. I give thee freedom; enjoy it as thou wilt, and pardon me that I reckoned on thy desire to serve me.'

'You are offended. Oh! I would not, for that which no freedom can give, offend you, Glaucus. My guardian, my saviour, my protector, forgive the poor blind girl! She does not grieve even in leaving thee, if she can contribute to thy happiness.'

'May the gods bless this grateful heart!' said Glaucus, greatly moved; and, unconscious of the fires he excited, he repeatedly kissed her forehead.

'Thou forgivest me,' said she, 'and thou wilt talk no more of freedom; my happiness is to be thy slave: thou hast promised thou wilt not give me to another…'

'I have promised.'

'And now, then, I will gather the flowers.'

Silently, Nydia took from the hand of Glaucus the costly and jewelled vase, in which the flowers vied with each other in hue and fragrance; tearlessly she received his parting admonition. She paused for a moment when his voice ceased—she did not trust herself to reply—she sought his hand—she raised it to her lips, dropped her veil over her face, and passed at once from his presence. She paused again as she reached the threshold; she stretched her hands towards it, and murmured:

'Three happy days—days of unspeakable delight, have I known since I passed thee—blessed threshold! may peace dwell ever with thee when I am gone! And now, my heart tears itself from thee, and the only sound it utters bids me—die!'

Chapter VI
THE HAPPY BEAUTY AND THE BLIND SLAVE

A SLAVE entered the chamber of Ione. A messenger from Glaucus desired to be admitted.

Ione hesitated an instant.

'She is blind, that messenger,' said the slave; 'she will do her commission to none but thee.'

Base is that heart which does not respect affliction! The moment she heard the messenger was blind, Ione felt the impossibility of returning a chilling reply. Glaucus had chosen a herald that was indeed sacred—a herald that could not be denied.

'What can he want with me? what message can he send?' and the heart of Ione beat quick. The curtain across the door was withdrawn; a soft and echoless step fell upon the marble; and Nydia, led by one of the attendants, entered with her precious gift.

She stood still a moment, as if listening for some sound that might direct her.

'Will the noble Ione,' said she, in a soft and low voice, 'deign to speak, that I may know whither to steer these benighted steps, and that I may lay my offerings at her feet?'

'Fair child,' said Ione, touched and soothingly, 'give not thyself the pain to cross these slippery floors, my attendant will bring to me what thou hast to present'; and she motioned to the handmaid to take the vase.

'I may give these flowers to none but thee,' answered Nydia; and, guided by her ear, she walked slowly to the place where Ione sat, and kneeling when she came before her, proffered the vase.

Ione took it from her hand, and placed it on the table at her side. She then raised her gently, and would have seated her on the couch, but the girl modestly resisted.

'I have not yet discharged my office,' said she; and she drew the letter of Glaucus from her vest. 'This will, perhaps, explain why he who sent me chose so unworthy a messenger to Ione.'

The Neapolitan took the letter with a hand, the trembling of which Nydia at once felt and sighed to feel. With folded arms, and downcast looks, she stood before the proud and stately form of Ione—no less proud, perhaps, in her attitude of submission. Ione waved her hand, and the attendants withdrew; she gazed again upon the form of the young slave in surprise and beautiful compassion; then, retiring a little from her, she opened and read the following letter:

'Glaucus to Ione sends more than he dares to utter. Is Ione ill? thy slaves tell me "No", and that assurance comforts me. Has Glaucus offended Ione?—ah! that question I may not ask from them. For five days I have been banished from thy presence. Has the sun shone?—I know it not. Has the sky smiled?—it has had no smile for me. My sun and my sky are Ione. Do I offend thee? Am I too bold? Do I say that on the tablet which my tongue has hesitated to breathe? Alas! it is in thine absence that I feel most the spells by which thou hast subdued me. And absence, that deprives me of joy, brings me courage. Thou wilt not see me; thou hast banished also the common flatterers that flock around thee. Canst thou confound me with them? It is not possible! Thou knowest too well that I am not of them—that their clay is not mine. For even were I of the humblest mould, the fragrance of the rose has penetrated me, and the spirit of thy nature hath passed within me, to embalm, to sanctify, to inspire. Have they slandered me to thee, Ione? Thou wilt not believe them. Did the Delphic oracle itself tell me thou wert unworthy, I would not believe it; and am I less incredulous than thou I think of the last time we met—of the song which I sang to thee—of the look that thou gavest me in return. Disguise it as thou wilt, Ione, there is something kindred between us, and our eyes acknowledged it, though our lips were silent. Deign to see me, to listen to me, and after that exclude me if thou wilt. I meant not so soon to say I loved. But those words rush to my heart—they will have way. Accept, then, my homage and my vows. We met first at the shrine of Pallas; shall we not meet before a softer and a more ancient altar?

'Beautiful! adored Ione! If my hot youth and my Athenian blood have misguided and allured me, they have but taught my wanderings to appreciate the rest—the haven they have attained. I hang up my dripping robes on the Sea-god's shrine. I have escaped shipwreck. I have found THEE. Ione, deign to see me; thou art gentle to strangers, wilt thou be less merciful to those of thine own land? I await thy reply. Accept the flowers which I send—their sweet breath has a language more eloquent than words. They take from the sun the odorous they return—they are the emblem of the love that receives and repays tenfold—the emblem of the heart that drunk thy rays, and owes to thee the germ of the treasures that it proffers to thy smile. I send these by one whom thou wilt receive for her own sake, if not for mine. She, like us, is a stranger; her fathers' ashes lie under brighter skies: but, less happy than we, she is blind and a slave. Poor Nydia! I seek as much as possible to repair to her the cruelties of Nature and of Fate, in asking permission to place her with thee. She is gentle, quick, and docile. She is skilled in music and the song; and she is a very Chloris to the flowers. She thinks, Ione, that thou wilt love her: if thou dost not, send her back to me.

'One word more—let me be bold, Ione. Why thinkest thou so highly of yon dark Egyptian? he hath not about him the air of honest men. We Greeks learn mankind from our cradle; we are not the less profound, in that we affect no sombre mien; our lips smile, but our eyes are grave—they observe—they note—they study. Arbaces is not one to be credulously trusted: can it be that he hath wronged me to thee? I think it, for I left him with thee; thou sawest how my presence stung him; since then thou hast not admitted me. Believe nothing that he can say to my disfavor; if thou dost, tell me so at once; for this Ione owes to Glaucus. Farewell! this letter touches thy hand; these characters meet thine eyes—shall they be more blessed than he who is their author. Once more, farewell!'

It seemed to Ione, as she read this letter, as if a mist had fallen from her eyes. What had been the supposed offence of Glaucus?—that he had not really loved! And now, plainly, and in no dubious terms, he confessed that love. From that moment his power was fully restored. At every tender word in that letter, so full of romantic and trustful passion, her heart smote her. And had she doubted his faith, and had she believed another? and had she not, at least, allowed to him the culprit's right to know his crime, to plead in his defence?—the tears rolled down her cheeks—she kissed the letter—she placed it in her bosom: and, turning to Nydia, who stood in the same place and in the same posture:

'Wilt thou sit, my child,' said she, 'while I write an answer to this letter?'

'You will answer it, then!' said Nydia, coldly. 'Well, the slave that accompanied me will take back your answer.'

'For you,' said Ione, 'stay with me—trust me, your service shall be light.'

Nydia bowed her head.

'What is your name, fair girl?'

'They call me Nydia.'

'Your country?'

'The land of Olympus—Thessaly.'

'Thou shalt be to me a friend,' said Ione, caressingly, 'as thou art already half a countrywoman. Meanwhile, I beseech thee, stand not on these cold and glassy marbles. There! now that thou art seated, I can leave thee for an instant.'

'Ione to Glaucus greeting. Come to me, Glaucus,' wrote Ione, 'come to me to-morrow. I may have been unjust to thee; but I will tell thee, at least, the fault that has been imputed to thy charge. Fear not, henceforth, the Egyptian—fear none. Thou sayest thou hast expressed too much—alas! in these hasty words I have already done so. Farewell.'

As Ione reappeared with the letter, which she did not dare to read after she had written (Ah! common rashness, common timidity of love!)—Nydia started from her seat.

'You have written to Glaucus?'

'I have.'

'And will he thank the messenger who gives to him thy letter?'

Ione forgot that her companion was blind; she blushed from the brow to the neck, and remained silent.

'I mean this,' added Nydia, in a calmer tone; 'the lightest word of coldness from thee will sadden him—the lightest kindness will rejoice. If it be the first, let the slave take back thine answer; if it be the last, let me—I will return this evening.'

'And why, Nydia,' asked Ione, evasively, 'Wouldst thou be the bearer of my letter?'

'It is so, then!' said Nydia. 'Ah! how could it be otherwise; who could be unkind to Glaucus?'

'My child,' said Ione, a little more reservedly than before, 'thou speakest warmly—Glaucus, then, is amiable in thine eyes?'

'Noble Ione! Glaucus has been that to me which neither fortune nor the gods have been—a friend!'

The sadness mingled with dignity with which Nydia uttered these simple words, affected the beautiful Ione: she bent down and kissed her. 'Thou art grateful, and deservedly so; why should I blush to say that Glaucus is worthy of thy gratitude? Go, my Nydia—take to him thyself this letter—but return again. If I am from home when thou returnest—as this evening, perhaps, I shall be—thy chamber shall be prepared next my own. Nydia, I have no sister—wilt thou be one to me?' The Thessalian kissed the hand of Ione, and then said, with some embarrassment:

'One favor, fair Ione—may I dare to ask it?'

'Thou canst not ask what I will not grant,' replied the Neapolitan.

'They tell me,' said Nydia, 'that thou art beautiful beyond the loveliness of earth. Alas! I cannot see that which gladdens the world! Wilt thou suffer me, then, to pass my hand over thy face?—that is my sole criterion of beauty, and I usually guess aright.'

She did not wait for the answer of Ione, but, as she spoke, gently and slowly passed her hand over the bending and half-averted features of the Greek—features which but one image in the world can yet depicture and recall—that image is the mutilated, but all-wondrous, statue in her native city—her own Neapolis—that Parian face, before which all the beauty of the Florentine Venus is poor and earthly—that aspect so full of harmony—of youth—of genius—of the soul—which modern critics have supposed the representation of Psyche.

Her touch lingered over the braided hair and polished brow—over the downy and damask cheek—over the dimpled lip—the swan-like and whitish neck. 'I know now, that thou art beautiful,' she said: 'and I can picture thee to my darkness henceforth, and for ever!'

When Nydia left her, Ione sank into a deep but delicious reverie. Glaucus then loved her; he owned it—yes, he loved her. She drew forth again that dear confession; she paused over every word, she kissed every line; she did not ask why he had been maligned, she only felt assured that he had been so. She wondered how she had ever believed a syllable against him; she wondered how the Egyptian had been enabled to exercise a power against Glaucus; she felt a chill creep over her as she again turned to his warning against Arbaces, and her secret fear of that gloomy being darkened into awe. She was awakened from these thoughts by her maidens, who came to announce to her that the hour appointed to visit Arbaces was arrived; she started, she had forgotten the promise. Her first impression was to renounce it; her second, was to laugh at her own fears of her eldest surviving friend. She hastened to add the usual ornaments to her dress, and doubtful whether she should yet question the Egyptian more closely with respect to his accusation of Glaucus, or whether she should wait till, without citing the authority, she should insinuate to Glaucus the accusation itself, she took her way to the gloomy mansion of Arbaces.