Adela Cathcart, Volume 1

Chapter V

The light princess

Five o'clock, anxiously expected by me, came, and with it the announcement of dinner. I think those of us who were in the secret would have hurried over it, but with Beeves hanging upon our wheels, we could not. However, at length we were all in the drawing-room, the ladies of the house evidently surprised that we had come up stairs so soon. Besides the curate, with his wife and brother, our party comprised our old friends, Mr. and Mrs. Bloomfield, whose previous engagement had been advanced by a few days.

When we were all seated, I began, as if it were quite a private suggestion of my own:

"Adela, if you and our friends have no objection, I will read you a story I have just scribbled off."

"I shall be delighted, uncle."

This was a stronger expression of content than I had yet heard her use, and I felt flattered accordingly.

"This is Christmas-time, you know, and that is just the time for story-telling," I added.

"I trust it is a story suitable to the season," said Mrs. Cathcart, smiling.

"Yes, very," I said; "for it is a child's story—a fairy tale, namely; though I confess I think it fitter for grown than for young children. I hope it is funny, though. I think it is."

"So you approve of fairy-tales for children, Mr. Smith?"

"Not for children alone, madam; for everybody that can relish them."

"But not at a sacred time like this?"

And again she smiled an insinuating smile.

"If I thought God did not approve of fairy-tales, I would never read, not to say write one, Sunday or Saturday. Would you, madam?"

"I never do."

"I feared not. But I must begin, notwithstanding."

The story, as I now give it, is not exactly as I read it then, because, of course, I was more anxious that it should be correct when I prepared it for the press, than when I merely read it before a few friends.

"Once upon a time," I began; but I was unexpectedly interrupted by the clergyman, who said, addressing our host:

"Will you allow me, Colonel Cathcart, to be Master of the Ceremonies for the evening?"

"Certainly, Mr. Armstrong."

"Then I will alter the arrangement of the party. Here, Henry—don't get up, Miss Cathcart—we'll just lift Miss Cathcart's couch to this corner by the fire.—Lie still, please. Now, Mr. Smith, you sit here in the middle. Now, Mrs. Cathcart, here is an easy chair for you. With my commanding officer I will not interfere. But having such a jolly fire it was a pity not to get the good of it. Mr. Bloomfield, here is room for you and Mrs. Bloomfield."

"Excellently arranged," said our host. "I will sit by you, Mr. Armstrong. Percy, won't you come and join the circle?"

"No, thank you, uncle," answered Percy from a couch, "I am more comfortable here."

"Now, Lizzie," said the curate to his wife, "you sit on this stool by me.—Too near the fire? No?—Very well.—Harry, put the bottle of water near Mr. Smith. A fellow-feeling for another fellow—you see, Mr. Smith. Now we're all right, I think; that is, if Mrs. Cathcart is comfortable."

"Thanks. Quite."

"Then we may begin. Now, Mr. Smith.—One word more: anybody may speak that likes. Now, then."

So I did begin—

"Title: THE LIGHT PRINCESS.

"Second Title: A FAIRY-TALE WITHOUT FAIRIES."

"Author: JOHN SMITH, Gentleman.

"Motto:—'Your Servant, Goody Gravity.'

"From—SIR CHARLES GRANDISON."

"I must be very stupid, I fear, Mr. Smith; but to tell the truth, I can't make head or tail of it," said Mrs. Cathcart.

"Give me leave, madam," said I; "that is my office. Allow me, and I hope to make both head and tail of it for you. But let me give you first a mere general, and indeed a more applicable motto for my story. It is this—from no worse authority than John Milton:

 
'Great bards beside
In sage and solemn times have sung
Of turneys and of trophies hung;
Of forests and enchantments drear,
Where more is meant than meets the ear.'
 

"Milton here refers to Spencer in particular, most likely. But what distinguishes the true bard in such work is, that more is meant than meets the ear; and although I am no bard, I should scorn to write anything that only spoke to the ear, which signifies the surface understanding."

General silence followed, and I went on.

"THE LIGHT PRINCESS

"CHAPTER I.—WHAT! NO CHILDREN?

"Once upon a time, so long ago, that I have quite forgotten the date, there lived a king and queen who had no children.

"And the king said to himself: 'All the queens of my acquaintance have children, some three, some seven, an some as many as twelve; and my queen has not one. I feel ill-used.' So he made up his mind to be cross with his wife about it. But she bore it all like a good patient queen as she was. Then the king grew very cross indeed. But the queen pretended to take it all as a joke, and a very good one, too.

"'Why don't you have any daughters, at least?' said he, 'I don't say sons; that might be too much to expect.'

"'I am sure, dear king, I am very sorry,' said the queen.

"'So you ought to be,' retorted the king; 'you are not going to make a virtue of that, surely.'

"But he was not an ill-tempered king; and, in any matter of less moment, he would have let the queen have her own way, with all his heart. This, however, was an affair of state.

"The queen smiled.

"'You must have patience with a lady, you know, dear king,' said she.

"She was, indeed, a very nice queen, and heartily sorry that she could not oblige the king immediately.

"The king tried to have patience, but he succeeded very badly. It was more than he deserved, therefore, when, at last, the queen gave him a daughter—as lovely a little princess as ever cried."

* * * * *

"CHAPTER II.—WON'T I, JUST?

"The day drew near when the infant must be christened. The king wrote all the invitations with his own hand. Of course somebody was forgotten.

"Now, it does not generally matter if somebody is forgotten, but you must mind who. Unfortunately, the king forgot without intending it; and the chance fell upon the Princess Makemnoit, which was awkward. For the Princess was the king's own sister; and he ought not to have forgotten her. But she had made herself so disagreeable to the old king, their father, that he had forgot her in making his will; and so it was no wonder that her brother forgot her in writing his invitations. But poor relations don't do anything to keep you in mind of them. Why don't they? The king could not see into the garret she lived in, could he? She was a sour, spiteful creature. The wrinkles of contempt crossed the wrinkles of peevishness, and made her face as full of wrinkles as a pat of butter. If ever a king could be justified in forgetting anybody, this king was justified in forgetting his sister, even at a christening. And then she was so disgracefully poor! She looked very odd, too. Her forehead was as large as all the rest of her face, and projected over it like a precipice. When she was angry, her little eyes flashed blue. When she hated anybody, they shone yellow and green. What they looked like when she loved anybody, I do not know; for I never heard of her loving anybody but herself, and I do not think she could have managed that, if she had not somehow got used to herself. But what made it highly imprudent in the king to forget her, was—that she was awfully clever. In fact, she was a witch; and when she bewitched anybody, he very soon had enough of it; for she beat all the wicked fairies in wickedness, and all the clever ones in cleverness. She despised all the modes we read of in history, in which offended fairies and witches have taken their revenges; and therefore, after waiting and waiting in vain for an invitation, she made up her mind at last to go without one, and make the whole family miserable, like a princess and a philosopher.

"She put on her best gown, went to the palace, was kindly received by the happy monarch, who forgot that he had forgotten her, and took her place in the procession to the royal chapel. When they were all gathered about the font, she contrived to get next to it, and throw something into the water. She maintained then a very respectful demeanour till the water was applied to the child's face. But at that moment she turned round in her place three times, and muttered the following words, loud enough for those beside her to hear:

 
'Light of spirit, by my charms,
Light of body, every part,
Never weary human arms—
Only crush thy parents' heart!'
 

"They all thought she had lost her wits, and was repeating some foolish nursery rhyme; but a shudder went through the whole of them. The baby, on the contrary, began to laugh and crow; while the nurse gave a start and a smothered cry, for she thought she was struck with paralysis: she could not feel the baby in her arms. But she clasped it tight, and said nothing.

"The mischief was done."

Here I came to a pause, for I found the reading somewhat nervous work, and had to make application to the water-bottle.

"Bravo! Mr. Smith," cried the clergyman. "A good beginning, I am sure; for I cannot see what you are driving at."

"I think I do," said Henry. "Don't you, Lizzie?"

"No, I don't," answered Mrs. Armstrong.

"One thing," said Mrs. Cathcart with a smile, not a very sweet one, but still a smile, "one thing, I must object to. That is, introducing church ceremonies into a fairy-tale."

"Why, Mrs. Cathcart," answered the clergyman, taking up the cudgels for me, "do you suppose the church to be such a cross-grained old lady, that she will not allow her children to take a few gentle liberties with their mother? She's able to stand that surely. They won't love her the less for that."

"Besides," I ventured to say, "if both church and fairy-tale belong to humanity, they may occasionally cross circles, without injury to either. They must have something in common. There is the Fairy Queen, and the Pilgrim's Progress, you know, Mrs. Cathcart. I can fancy the pope even telling his nephews a fairy-tale."

"Ah, the pope! I daresay."

"And not the archbishop?"

"I don't think your reasoning quite correct, Mr. Smith," said the clergyman; "and I think moreover there is a real objection to that scene. It is, that no such charm could have had any effect where holy water was employed as the medium. In fact I doubt if the wickedness could have been wrought in a chapel at all."

"I submit," I said. "You are right. I hold up the four paws of my mind, and crave indulgence."

"In the name of the church, having vindicated her power over evil incantations, I permit you to proceed," said Mr. Armstrong, his black eyes twinkling with fun.

Mrs. Cathcart smiled, and shook her head.

* * * * *

"CHAPTER III.—SHE CAN'T BE OURS

"Her atrocious aunt had deprived the child of all her gravity. If you ask me how this was effected, I answer: In the easiest way in the world. She had only to destroy gravitation. And the princess was a philosopher, and knew all the ins and outs of the laws of gravitation as well as the ins and outs of her boot-lace. And being a witch as well, she could abrogate those laws in a moment; or at least so clog their wheels and rust their bearings, that they would not work at all. But we have more to do with what followed, than with how it was done.

"The first awkwardness that resulted from this unhappy privation was, that the moment the nurse began to float the baby up and down, she flew from her arms towards the ceiling. Happily, the resistance of the air brought her ascending career to a close within a foot of it. There she remained, horizontal as when she left her nurse's arms, kicking and laughing amazingly. The nurse in terror flew to the bell, and begged the footman who answered it, to bring up the house-steps directly. Trembling in every limb, she climbed upon the steps, and had to stand upon the very top, and reach up, before she could catch the floating tail of the baby's long clothes.

"When the strange fact came to be known, there was a terrible commotion in the palace. The occasion of its discovery by the king was naturally a repetition of the nurse's experience. Astonished that he felt no weight when the child was laid in his arms, he began to wave her up and—not down; for she slowly ascended to the ceiling as before, and there remained floating in perfect comfort and satisfaction, as was testified by her peals of tiny laughter. The king stood staring up in speechless amazement, and trembled so that his beard shook like grass in the wind. At last, turning to the queen, who was just as horror-struck as himself, he said, gasping, staring, and stammering:

"'She can't be ours, queen!'

"Now the queen was much cleverer than the king, and had begun already to suspect that 'this effect defective came by cause.'

"'I am sure she is ours,' answered she. 'But we ought to have taken better care of her at the christening. People who were never invited ought not to have been present.'

"'Oh, ho!' said the king, tapping his forehead with his forefinger, 'I have it all. I've found her out. Don't you see it, queen? Princess Makemnoit has bewitched her.'

"'That's just what I say,' answered the queen.

"'I beg your pardon, my love; I did not hear you. John! bring the steps I get on my throne with.'

"For he was a little king with a great throne, like many other kings.

"The throne-steps were brought, and set upon the dining-table, and John got upon the top of them. But he could not reach the little princess, who lay like a baby-laughter-cloud in the air, exploding continuously.

"'Take the tongs, John,' said his majesty; and getting up on the table, he handed them to him.

"John could reach the baby now, and the little princess was handed down by the tongs.

* * * * *

"CHAPTER IV.—WHERE IS SHE?

"One fine summer day, a month after these her first adventures, during which time she had been very carefully watched, the princess was lying on the bed in the queen's own chamber, fast asleep. One of the windows was open, for it was noon, and the day so sultry that the little girl was wrapped in nothing less etherial than slumber itself. The queen came into the room, and not observing that the baby was on the bed, opened another window. A frolicsome fairy wind which had been watching for a chance of mischief, rushed in at the one window, and taking its way over the bed where the child was lying, caught her up, and rolling and floating her along like a piece of flue, or a dandelion-seed, carried her with it through the opposite window, and away. The queen went down stairs, quite ignorant of the loss she had herself occasioned. When the nurse returned, she supposed that her majesty had carried her off, and, dreading a scolding, delayed making inquiry about her. But hearing nothing, she grew uneasy, and went at length to the queen's boudoir, where she found her majesty.

"'Please your majesty, shall I take the baby?' said she.

"'Where is she?' asked the queen.

"'Please forgive me. I know it was wrong.'

"'What do you mean?' said the queen, looking grave.

"'Oh! don't frighten me, your majesty!' exclaimed the nurse, clapping her hands.

"The queen saw that something was amiss, and fell down in a faint. The nurse rushed about the palace, screaming, 'My baby! my baby!'

"Every one ran to the queen's room. But the queen could give no orders. They soon found out, however, that the princess was missing, and in a moment the palace was like a bee-hive in a garden. But in a minute more the queen was brought to herself by a great shout and a clapping of hands. They had found the princess fast asleep under a rose-bush, to which the elvish little wind-puff had carried her, finishing its mischief by shaking a shower of red rose-leaves all over the little white sleeper. Startled by the noise the servants made, she woke; and furious with glee, scattered the rose-leaves in all directions, like a shower of spray in the sunset.

"She was watched more carefully after this, no doubt; yet it would be endless to relate all the odd incidents resulting from this peculiarity of the young princess. But there never was a baby in a house, not to say a palace, that kept a household in such constant good humour, at least below stairs. If it was not easy for her nurses to hold her, certainly she did not make their arms ache. And she was so nice to play at ball with! There was positively no danger of letting her fall. You might throw her down, or knock her down, or push her down, but you couldn't let her down. It is true, you might let her fly into the fire or the coal-hole, or through the window; but none of these accidents had happened as yet. If you heard peals of laughter resounding from some unknown region, you might be sure enough of the cause. Going down into the kitchen, or the room, you would find Jane and Thomas, and Robert and Susan, all and sum, playing at ball with the little princess. She was the ball herself, and did not enjoy it the less for that. Away she went, flying from one to another, screeching with laughter. And the servants loved the ball itself better even than the game. But they had to take care how they threw her, for if she received an upward direction, she would never come down without being fetched.

* * * * *

"CHAPTER V.—WHAT IS TO BE DONE?

"But above stairs it was different. One day, for instance, after breakfast, the king went into his counting-house, and counted out his money. The operation gave him no pleasure.

"'To think,' said he to himself, 'that every one of these gold sovereigns weighs a quarter of an ounce, and my real, live, flesh-and-blood princess weighs nothing at all!'

"And he hated his gold sovereigns, as they lay with a broad smile of self-satisfaction all over their yellow faces.

"The queen was in the parlour, eating bread and honey. But at the second mouthful, she burst out crying, and could not swallow it. The king heard her sobbing. Glad of anybody, but especially of his queen, to quarrel with, he clashed his gold sovereigns into his money-box, clapped his crown on his head, and rushed into the parlour.

"'What is all this about?' exclaimed he. 'What are you crying for, queen?'

"'I can't eat it,' said the queen, looking ruefully at the honey-pot.

"'No wonder!' retorted the king. 'You've just eaten your breakfast—two turkey eggs, and three anchovies.'

"'Oh! that's not it!' sobbed her majesty. 'It's my child, my child!'

"'Well, what's the matter with your child? She's neither up the chimney nor down the draw-well. Just hear her laughing.' Yet the king could not help a sigh, which he tried to turn into a cough, saying,

"'It is a good thing to be light-hearted, I am sure, whether she be ours or not.'

"'It is a bad thing to be light-headed,' answered the queen, looking with prophetic soul, far into the future.

"''Tis a good thing to be light-handed,' said the king.

"''Tis a bad thing to be light-fingered,' answered the queen.

"''Tis a good thing to be light-footed,' said the king.

"''Tis a bad thing,' began the queen; but the king interrupted her.

"'In fact,' said he, with the tone of one who concludes an argument in which he has had only imaginary opponents, and in which, therefore, he has come off triumphant—'in fact, it is a good thing altogether to be light-bodied.'

"'But it is a bad thing altogether to be light-minded,' retorted the queen, who was beginning to lose her temper.

"This last answer quite discomfited his majesty, who turned on his heel, and betook himself to his counting-house again. But he was not halfway towards it, when the voice of his queen overtook him:

"'And it's a bad thing to be light-haired,' screamed she, determined to have more last words, now that her spirit was roused.

"The queen's hair was black as night; and the king's had been, and his daughter's was, golden as morning. But it was not this reflection on his hair that troubled him; it was the double use of the word light. For the king hated all witticisms, and punning especially. And besides he could not tell whether the queen meant light-haired or light-heired; for why might she not aspirate her vowels when she was ex-asperated herself?"

"Now, really," interrupted the clergyman, "I must protest. Mr. Smith, you bury us under an avalanche of puns, and, I must say, not very good ones. Now, the story, though humorous, is not of the kind to admit of such fanciful embellishment. It reminds one rather of a burlesque at a theatre—the lowest thing, from a literary point of view, to be found."

"I submit," was all I could answer; for I feared that he was right. The passage, as it now stands, is not nearly so bad as it was then, though, I confess, it is still bad enough.

"I think," said Mrs. Armstrong, "since criticism is the order of the evening, and Mr. Smith is so kind as not to mind it, that he makes the king and queen too silly. It takes away from the reality."

"Right too, my dear madam," I answered.

"The reality of a fairy-tale?" said Mrs. Cathcart, as if asking a question of herself.

"But will you grant me the justice," said I, "to temper your judgments of me, if not of my story, by remembering that this is the first thing of the sort I ever attempted?"

"I tell you what," said the doctor, "it's very easy to criticise, but none of you could have written it yourselves."

"Of course not, for my part," said the clergyman.

Silence followed; and I resumed.

"He turned upon his other heel, and rejoined her. She looked angry still, because she knew that she was guilty, or, what was much the same, knew that he thought so.

"'My dear queen,' said he, 'duplicity of any sort is exceedingly objectionable between married people, of any rank, not to say kings and queens; and the most objectionable form it can assume is that of punning.'

"'There!' said the queen, 'I never made a jest, but I broke it in the making. I am the most unfortunate woman in the world!'

"She looked so rueful, that the king took her in his arms; and they sat down to consult.

"'Can you bear this?' said the king.

"'No, I can't,' said the queen.

"'Well, what's to be done?' said the king.

"'I'm sure I don't know,' said the queen. 'But might you not try an apology?'

"'To my old sister, I suppose you mean?' said the king.

"'Yes,' said the queen.

"'Well, I don't mind,' said the king.

"So he went the next morning to the garret of the princess, and, making a very humble apology, begged her to undo the spell. But the princess declared, with a very grave face, that she knew nothing at all about it. Her eyes, however, shone pink, which was a sign that she was happy. She advised the king and queen to have patience, and to mend their ways. The king returned disconsolate.

The queen tried to comfort him.

"'We will wait till she is older. She may then be able to suggest something herself. She will know at least how she feels, and explain things to us.'

"'But what if she should marry!' exclaimed the king, in sudden consternation at the idea.

"'Well, what of that?' rejoined the queen.

"'Just think! If she were to have any children! In the course of a hundred years, the air might be as full of floating children as of gossamers in autumn.'

"'That is no business of ours,' replied the queen. 'Besides, by that time, they will have learned to take care of themselves.'

"A sigh was the king's only answer.

"He would have consulted the court physicians; but he was afraid they would try experiments upon her.

* * * * *

"CHAPTER VI—SHE LAUGHS TOO MUCH

"Meantime, notwithstanding awkward occurrences, and griefs that she brought her parents to, the little princess laughed and grew—not fat, but plump and tall. She reached the age of seventeen, without having fallen into, any worse scrape than a chimney; by rescuing her from which, a little bird-nesting urchin got fame and a black face. Nor, thoughtless as she was, had she committed anything worse than laughter at everybody and everything, that came in her way. When she heard that General Clanrunfort was cut to pieces with all his forces, she laughed; when she heard that the enemy was on his way to besiege her papa's capital, she laughed hugely; but when she heard that the city would most likely be abandoned to the mercy of the enemy's soldiery—why, then, she laughed immoderately. These were merely reports invented for the sake of experiment. But she never could be brought to see the serious side of anything. When her mother cried, she said:

"'What queer faces mamma makes! And she squeezes water out of her cheeks! Funny mama!'

"And when her papa stormed at her, she laughed, and danced round and round him, clapping her hands, and crying:

"'Do it again, papa. Do it again! It's such fun! Dear, funny papa!'

"And if he tried to catch her, she glided from him in an instant, not in the least afraid of him, but thinking, it part of the game not to be caught. With one push of her foot, she would be floating in the air above his head; or she would go dancing backwards and forwards and sideways, like a great butterfly. It happened several times, when her father and mother were holding a consultation about her in private, that they were interrupted by vainly repressed outbursts of laughter over their heads; and looking up with indignation, saw her floating at full length in the air above them, whence she regarded them with the most comical appreciation of the position.

"One day an awkward accident happened. The princess had come out upon the lawn with one of her attendants, who held her by the hand. Spying her father at the other side of the lawn, she snatched her hand from the maid's, and sped across to him. Now, when she wanted to run alone, her custom was to catch up a stone in each hand, so that she might come down again after a bound. Whatever she wore as part of her attire had no effect in this way: even gold, when it thus became as it were a part of herself, lost all its weight for the time. But whatever she only held in her hands, retained its downward tendency. On this occasion she could see nothing to catch up, but a huge toad, that was walking across the lawn as if he had a hundred years to do it in. Not knowing what disgust meant, for this was one of her peculiarities, she snatched up the toad, and bounded away. She had almost reached her father, and he was holding out his arms to receive her, and take from her lips the kiss which hovered on them like a butterfly on a rosebud, when a puff of wind blew her aside into the arms of a young page, who had just been receiving a message from his majesty. Now it was no great peculiarity in the princess that, once she was set a-going, it always cost her time and trouble to check herself. On this occasion there was no time. She must kiss—and she kissed the page. She did not mind it much; for she had no shyness in her composition; and she knew, besides, that she could not help it. So she only laughed, like a musical-box. The poor page fared the worst. For the princess, trying to correct the unfortunate tendency of the kiss, put out her hands to keep her off the page; so that, along with the kiss, he received, on the other cheek, a slap with the huge black toad, which she poked right into his eye. He tried to laugh, too, but it resulted in a very odd contortion of countenance, which showed that there was no danger of his pluming himself on the kiss. Indeed it is not safe to be kissed by princesses. As for the king, his dignity was greatly hurt, and he did not speak to the page for a whole month.

"I may here remark that it was very amusing to see her run, if her mode of progression could properly be called running. For first she would make a bound; then, having alighted, she would run a few steps, and make another bound. Sometimes she would fancy she had reached the ground before she actually had, and her feet would go backwards and forwards, running upon nothing at all, like those of a chicken on its back. Then she would laugh like the very spirit of fun; only in her laugh there was something missing. What it was, I find myself unable to describe. I think it was a certain tone, depending upon the possibility of sorrow—morbidezza, perhaps. She never smiled."

"I am not sure about your physics, Mr. Smith," said the doctor. "If she had no gravity, no amount of muscular propulsion could have given her any momentum. And again, if she had no gravity, she must inevitably have ascended beyond the regions of the atmosphere."

"Bottle your philosophy, Harry, with the rest of your physics," said the clergyman, laughing. "Don't you see that she must have had some weight, only it wasn't worth mentioning, being no greater than the ordinary weight of the atmosphere. Besides, you know very well that a law of nature could not be destroyed. Therefore, it was only witchcraft, you know; and the laws of that remain to be discovered—at least so far as my knowledge goes.—Mr. Smith, you have gone in for a fairy-tale; and if I were you, I would claim the immunities of Fairyland."

"So I do," I responded fiercely, and went on.

* * * * *

"CHAPTER VII.—TRY METAPHYSICS

"After a long avoidance of the painful subject, the king and queen resolved to hold a counsel of three upon it; and so they sent for the princess. In she came, sliding and flitting and gliding from one piece of furniture to another, and put herself at last in an armchair, in a sitting posture. Whether she could be said to sit, seeing she received no support from the seat of the chair, I do not pretend to determine.

"'My dear child,' said the king, 'you must be aware that you are not exactly like other people.'

"'Oh, you dear funny papa! I have got a nose and two eyes and all the rest. So have you. So has mamma.'

"'Now be serious, my dear, for once,' said the queen.

"'No, thank you, mamma; I had rather not.'

"'Would you not like to be able to walk like other people?' said the king.

"'No indeed, I should think not. You only crawl. You are such slow coaches!'

"'How do you feel, my child?' he resumed, after a pause of discomfiture.

"'Quite well, thank you.'

"'I mean, what do you feel like?'

"'Like nothing at all, that I know of.'

"'You must feel like something.'

"'I feel like a princess with such a funny papa, and such a dear pet of a queen-mamma!'

"'Now really!' began the queen; but the princess interrupted her.