Original Short Stories – Volume 11

THE MASK

There was a masquerade ball at the Elysee-Montmartre that evening. It was the ‘Mi-Careme’, and the crowds were pouring into the brightly lighted passage which leads to the dance ball, like water flowing through the open lock of a canal. The loud call of the orchestra, bursting like a storm of sound, shook the rafters, swelled through the whole neighborhood and awoke, in the streets and in the depths of the houses, an irresistible desire to jump, to get warm, to have fun, which slumbers within each human animal.

The patrons came from every quarter of Paris; there were people of all classes who love noisy pleasures, a little low and tinged with debauch. There were clerks and girls – girls of every description, some wearing common cotton, some the finest batiste; rich girls, old and covered with diamonds, and poor girls of sixteen, full of the desire to revel, to belong to men, to spend money. Elegant black evening suits, in search of fresh or faded but appetizing novelty, wandering through the excited crowds, looking, searching, while the masqueraders seemed moved above all by the desire for amusement. Already the far-famed quadrilles had attracted around them a curious crowd. The moving hedge which encircled the four dancers swayed in and out like a snake, sometimes nearer and sometimes farther away, according to the motions of the performers. The two women, whose lower limbs seemed to be attached to their bodies by rubber springs, were making wonderful and surprising motions with their legs. Their partners hopped and skipped about, waving their arms about. One could imagine their panting breath beneath their masks.

One of them, who had taken his place in the most famous quadrille, as substitute for an absent celebrity, the handsome “Songe-au-Gosse,” was trying to keep up with the tireless “Arete-de-Veau” and was making strange fancy steps which aroused the joy and sarcasm of the audience.

He was thin, dressed like a dandy, with a pretty varnished mask on his face. It had a curly blond mustache and a wavy wig. He looked like a wax figure from the Musee Grevin, like a strange and fantastic caricature of the charming young man of fashion plates, and he danced with visible effort, clumsily, with a comical impetuosity. He appeared rusty beside the others when he tried to imitate their gambols: he seemed overcome by rheumatism, as heavy as a great Dane playing with greyhounds. Mocking bravos encouraged him. And he, carried away with enthusiasm, jigged about with such frenzy that suddenly, carried away by a wild spurt, he pitched head foremost into the living wall formed by the audience, which opened up before him to allow him to pass, then closed around the inanimate body of the dancer, stretched out on his face.

Some men picked him up and carried him away, calling for a doctor. A gentleman stepped forward, young and elegant, in well-fitting evening clothes, with large pearl studs. “I am a professor of the Faculty of Medicine,” he said in a modest voice. He was allowed to pass, and he entered a small room full of little cardboard boxes, where the still lifeless dancer had been stretched cut on some chairs. The doctor at first wished to take off the mask, and he noticed that it was attached in a complicated manner, with a perfect network of small metal wires which cleverly bound it to his wig and covered the whole head. Even the neck was imprisoned in a false skin which continued the chin and was painted the color of flesh, being attached to the collar of the shirt.

All this had to be cut with strong scissors. When the physician had slit open this surprising arrangement, from the shoulder to the temple, he opened this armor and found the face of an old man, worn out, thin and wrinkled. The surprise among those who had brought in this seemingly young dancer was so great that no one laughed, no one said a word.

All were watching this sad face as he lay on the straw chairs, his eyes closed, his face covered with white hair, some long, falling from the forehead over the face, others short, growing around the face and the chin, and beside this poor head, that pretty little, neat varnished, smiling mask.

The man regained consciousness after being inanimate for a long time, but he still seemed to be so weak and sick that the physician feared some dangerous complication. He asked: “Where do you live?”

The old dancer seemed to be making an effort to remember, and then he mentioned the name of the street, which no one knew. He was asked for more definite information about the neighborhood. He answered with a great slowness, indecision and difficulty, which revealed his upset state of mind. The physician continued:

“I will take you home myself.”

Curiosity had overcome him to find out who this strange dancer, this phenomenal jumper might be. Soon the two rolled away in a cab to the other side of Montmartre.

They stopped before a high building of poor appearance. They went up a winding staircase. The doctor held to the banister, which was so grimy that the hand stuck to it, and he supported the dizzy old man, whose forces were beginning to return. They stopped at the fourth floor.

The door at which they had knocked was opened by an old woman, neat looking, with a white nightcap enclosing a thin face with sharp features, one of those good, rough faces of a hard-working and faithful woman. She cried out:

“For goodness sake! What’s the matter?”

He told her the whole affair in a few words. She became reassured and even calmed the physician himself by telling him that the same thing had happened many times. She said: “He must be put to bed, monsieur, that is all. Let him sleep and tomorrow he will be all right.”

The doctor continued: “But he can hardly speak.”

“Oh! that’s just a little drink, nothing more; he has eaten no dinner, in order to be nimble, and then he took a few absinthes in order to work himself up to the proper pitch. You see, drink gives strength to his legs, but it stops his thoughts and words. He is too old to dance as he does. Really, his lack of common sense is enough to drive one mad!”

The doctor, surprised, insisted:

“But why does he dance like that at his age?”

She shrugged her shoulders and turned red from the anger which was slowly rising within her and she cried out:

“Ah! yes, why? So that the people will think him young under his mask; so that the women will still take him for a young dandy and whisper nasty things into his ears; so that he can rub up against all their dirty skins, with their perfumes and powders and cosmetics. Ah! it’s a fine business! What a life I have had for the last forty years! But we must first get him to bed, so that he may have no ill effects. Would you mind helping me? When he is like that I can’t do anything with him alone.”

The old man was sitting on his bed, with a tipsy look, his long white hair falling over his face. His companion looked at him with tender yet indignant eyes. She continued:

“Just see the fine head he has for his age, and yet he has to go and disguise himself in order to make people think that he is young. It’s a perfect shame! Really, he has a fine head, monsieur! Wait, I’ll show it to you before putting him to bed.”

She went to a table on which stood the washbasin a pitcher of water, soap and a comb and brush. She took the brush, returned to the bed and pushed back the drunkard’s tangled hair. In a few seconds she made him look like a model fit for a great painter, with his long white locks flowing on his neck. Then she stepped back in order to observe him, saying: “There! Isn’t he fine for his age?”

“Very,” agreed the doctor, who was beginning to be highly amused.

She added: “And if you had known him when he was twenty-five! But we must get him to bed, otherwise the drink will make him sick. Do you mind drawing off that sleeve? Higher-like that-that’s right. Now the trousers. Wait, I will take his shoes off – that’s right. Now, hold him upright while I open the bed. There – let us put him in. If you think that he is going to disturb himself when it is time for me to get in you are mistaken. I have to find a little corner any place I can. That doesn’t bother him! Bah! You old pleasure seeker!”

As soon as he felt himself stretched out in his sheets the old man closed his eyes, opened them closed them again, and over his whole face appeared an energetic resolve to sleep. The doctor examined him with an ever-increasing interest and asked: “Does he go to all the fancy balls and try to be a young man?” “To all of them, monsieur, and he comes back to me in the morning in a deplorable condition. You see, it’s regret that leads him on and that makes him put a pasteboard face over his own. Yes, the regret of no longer being what he was and of no longer making any conquests!”

He was sleeping now and beginning to snore. She looked at him with a pitying expression and continued: “Oh! how many conquests that man has made! More than one could believe, monsieur, more than the finest gentlemen of the world, than all the tenors and all the generals.”

“Really? What did he do?”

“Oh! it will surprise you at first, as you did not know him in his palmy days. When I met him it was also at a ball, for he has always frequented them. As soon as I saw him I was caught – caught like a fish on a hook. Ah! how pretty he was, monsieur, with his curly raven locks and black eyes as large as saucers! Indeed, he was good looking! He took me away that evening and I never have left him since, never, not even for a day, no matter what he did to me! Oh! he has often made it hard for me!”

The doctor asked: “Are you married?”

She answered simply: “Yes, monsieur, otherwise he would have dropped me as he did the others. I have been his wife and his servant, everything, everything that he wished. How he has made me cry – tears which I did not show him; for he would tell all his adventures to me – to me, monsieur – without understanding how it hurt me to listen.”

“But what was his business?”

“That’s so. I forgot to tell you. He was the foreman at Martel’s – a foreman such as they never had had – an artist who averaged ten francs an hour.”

“Martel? – who is Martel?”

“The hairdresser, monsieur, the great hairdresser of the Opera, who had all the actresses for customers. Yes, sir, all the smartest actresses had their hair dressed by Ambrose and they would give him tips that made a fortune for him. Ah! monsieur, all the women are alike, yes, all of them. When a man pleases their fancy they offer themselves to him. It is so easy – and it hurt me so to hear about it. For he would tell me everything – he simply could not hold his tongue – it was impossible. Those things please the men so much! They seem to get even more enjoyment out of telling than doing.

“When I would see him coming in the evening, a little pale, with a pleased look and a bright eye, would say to myself: ‘One more. I am sure that he has caught one more.’ Then I felt a wild desire to question him and then, again, not to know, to stop his talking if he should begin. And we would look at each other.

“I knew that he would not keep still, that he would come to the point. I could feel that from his manner, which seemed to laugh and say: ‘I had a fine adventure to-day, Madeleine.’ I would pretend to notice nothing, to guess nothing; I would set the table, bring on the soup and sit down opposite him.

“At those times, monsieur, it was as if my friendship for him had been crushed in my body as with a stone. It hurt. But he did not understand; he did not know; he felt a need to tell all those things to some one, to boast, to show how much he was loved, and I was the only one he had to whom he could talk-the only one. And I would have to listen and drink it in, like poison.

“He would begin to take his soup and then he would say: ‘One more, Madeleine.’

“And I would think: ‘Here it comes! Goodness! what a man! Why did I ever meet him?’

“Then he would begin: ‘One more! And a beauty, too.’ And it would be some little one from the Vaudeville or else from the Varietes, and some of the big ones, too, some of the most famous. He would tell me their names, how their apartments were furnished, everything, everything, monsieur. Heartbreaking details. And he would go over them and tell his story over again from beginning to end, so pleased with himself that I would pretend to laugh so that he would not get angry with me.

“Everything may not have been true! He liked to glorify himself and was quite capable of inventing such things! They may perhaps also have been true! On those evenings he would pretend to be tired and wish to go to bed after supper. We would take supper at eleven, monsieur, for he could never get back from work earlier.

“When he had finished telling about his adventure he would walk round the room and smoke cigarettes, and he was so handsome, with his mustache and curly hair, that I would think: ‘It’s true, just the same, what he is telling. Since I myself am crazy about that man, why should not others be the same?’ Then I would feel like crying, shrieking, running away and jumping out of the window while I was clearing the table and he was smoking. He would yawn in order to show how tired he was, and he would say two or three times before going to bed: ‘Ah! how well I shall sleep this evening!’

“I bear him no ill will, because he did not know how he was hurting me. No, he could not know! He loved to boast about the women just as a peacock loves to show his feathers. He got to the point where he thought that all of them looked at him and desired him.

“It was hard when he grew old. Oh, monsieur, when I saw his first white hair I felt a terrible shock and then a great joy – a wicked joy – but so great, so great! I said to myself: ‘It’s the end-it’s the end.’ It seemed as if I were about to be released from prison. At last I could have him to myself, all to myself, when the others would no longer want him.

“It was one morning in bed. He was still sleeping and I leaned over him to wake him up with a kiss, when I noticed in his curls, over his temple, a little thread which shone like silver. What a surprise! I should not have thought it possible! At first I thought of tearing it out so that he would not see it, but as I looked carefully I noticed another farther up. White hair! He was going to have white hair! My heart began to thump and perspiration stood out all over me, but away down at the bottom I was happy.

“It was mean to feel thus, but I did my housework with a light heart that morning, without waking him up, and, as soon as he opened his eyes of his own accord, I said to him: ‘Do you know what I discovered while you were asleep?’

“‘No.’

“‘I found white hairs.’

“He started up as if I had tickled him and said angrily: ‘It’s not true!’

“‘Yes, it is. There are four of them over your left temple.’

“He jumped out of bed and ran over to the mirror. He could not find them. Then I showed him the first one, the lowest, the little curly one, and I said: ‘It’s no wonder, after the life that you have been leading. In two years all will be over for you.’

“Well, monsieur, I had spoken true; two years later one could not recognize him. How quickly a man changes! He was still handsome, but he had lost his freshness, and the women no longer ran after him. Ah! what a life I led at that time! How he treated me! Nothing suited him. He left his trade to go into the hat business, in which he ate up all his money. Then he unsuccessfully tried to be an actor, and finally he began to frequent public balls. Fortunately, he had had common sense enough to save a little something on which we now live. It is sufficient, but it is not enormous. And to think that at one time he had almost a fortune.

“Now you see what he does. This habit holds him like a frenzy. He has to be young; he has to dance with women who smell of perfume and cosmetics. You poor old darling!”

She was looking at her old snoring husband fondly, ready to cry. Then, gently tiptoeing up to him, she kissed his hair. The physician had risen and was getting ready to leave, finding nothing to say to this strange couple. Just as he was leaving she asked:

“Would you mind giving me your address? If he should grow worse, I could go and get you.”

THE PENGUINS’ ROCK

This is the season for penguins

From April to the end of May, before the Parisian visitors arrive, one sees, all at once, on the little beach at Etretat several old gentlemen, booted and belted in shooting costume. They spend four or five days at the Hotel Hauville, disappear, and return again three weeks later. Then, after a fresh sojourn, they go away altogether.

One sees them again the following spring.

These are the last penguin hunters, what remain of the old set. There were about twenty enthusiasts thirty or forty years ago; now there are only a few of the enthusiastic sportsmen.

The penguin is a very rare bird of passage, with peculiar habits. It lives the greater part of the year in the latitude of Newfoundland and the islands of St. Pierre and Miquelon. But in the breeding season a flight of emigrants crosses the ocean and comes every year to the same spot to lay their eggs, to the Penguins’ Rock near Etretat. They are found nowhere else, only there. They have always come there, have always been chased away, but return again, and will always return. As soon as the young birds are grown they all fly away, and disappear for a year.

Why do they not go elsewhere? Why not choose some other spot on the long white, unending cliff that extends from the Pas-de-Calais to Havre? What force, what invincible instinct, what custom of centuries impels these birds to come back to this place? What first migration, what tempest, possibly, once cast their ancestors on this rock? And why do the children, the grandchildren, all the descendants of the first parents always return here?

There are not many of them, a hundred at most, as if one single family, maintaining the tradition, made this annual pilgrimage.

And each spring, as soon as the little wandering tribe has taken up its abode an the rock, the same sportsmen also reappear in the village. One knew them formerly when they were young; now they are old, but constant to the regular appointment which they have kept for thirty or forty years. They would not miss it for anything in the world.

It was an April evening in one of the later years. Three of the old sportsmen had arrived; one was missing – M. d’Arnelles.

He had written to no one, given no account of himself. But he was not dead, like so many of the rest; they would have heard of it. At length, tired of waiting for him, the other three sat down to table. Dinner was almost over when a carriage drove into the yard of the hotel, and the late corner presently entered the dining room.

He sat down, in a good humor, rubbing his hands, and ate with zest. When one of his comrades remarked with surprise at his being in a frock-coat, he replied quietly:

“Yes, I had no time to change my clothes.”

They retired on leaving the table, for they had to set out before daybreak in order to take the birds unawares.

There is nothing so pretty as this sport, this early morning expedition.

At three o’clock in the morning the sailors awoke the sportsmen by throwing sand against the windows. They were ready in a few minutes and went down to the beach. Although it was still dark, the stars had paled a little. The sea ground the shingle on the beach. There was such a fresh breeze that it made one shiver slightly in spite of one’s heavy clothing.

Presently two boats were pushed down the beach, by the sailors, with a sound as of tearing cloth, and were floated on the nearest waves. The brown sail was hoisted, swelled a little, fluttered, hesitated and swelling out again as round as a paunch, carried the boats towards the large arched entrance that could be faintly distinguished in the darkness.

The sky became clearer, the shadows seemed to melt away. The coast still seemed veiled, the great white coast, perpendicular as a wall.

They passed through the Manne-Porte, an enormous arch beneath which a ship could sail; they doubled the promontory of La Courtine, passed the little valley of Antifer and the cape of the same name; and suddenly caught sight of a beach on which some hundreds of seagulls were perched.

That was the Penguins’ Rock. It was just a little protuberance of the cliff, and on the narrow ledges of rock the birds’ heads might be seen watching the boats.

They remained there, motionless, not venturing to fly off as yet. Some of them perched on the edges, seated upright, looked almost like bottles, for their little legs are so short that when they walk they glide along as if they were on rollers. When they start to fly they cannot make a spring and let themselves fall like stones almost down to the very men who are watching them.

They know their limitation and the danger to which it subjects them, and cannot make up their minds to fly away.

But the boatmen begin to shout, beating the sides of the boat with the wooden boat pins, and the birds, in affright, fly one by one into space until they reach the level of the waves. Then, moving their wings rapidly, they scud, scud along until they reach the open sea; if a shower of lead does not knock them into the water.

For an hour the firing is kept up, obliging them to give up, one after another. Sometimes the mother birds will not leave their nests, and are riddled with shot, causing drops of blood to spurt out on the white cliff, and the animal dies without having deserted her eggs.

The first day M. d’Arnelles fired at the birds with his habitual zeal; but when the party returned toward ten o’clock, beneath a brilliant sun, which cast great triangles of light on the white cliffs along the coast he appeared a little worried, and absentminded, contrary to his accustomed manner.

As soon as they got on shore a kind of servant dressed in black came up to him and said something in a low tone. He seemed to reflect, hesitate, and then replied:

“No, to-morrow.”

The following day they set out again. This time M, d’Arnelles frequently missed his aim, although the birds were close by. His friends teased him, asked him if he were in love, if some secret sorrow was troubling his mind and heart. At length he confessed.

“Yes, indeed, I have to leave soon, and that annoys me.”

“What, you must leave? And why?”

“Oh, I have some business that calls me back. I cannot stay any longer.”

They then talked of other matters.

As soon as breakfast was over the valet in black appeared. M. d’Arnelles ordered his carriage, and the man was leaving the room when the three sportsmen interfered, insisting, begging, and praying their friend to stay. One of them at last said:

“Come now, this cannot be a matter of such importance, for you have already waited two days.”

M. d’Arnelles, altogether perplexed, began to think, evidently baffled, divided between pleasure and duty, unhappy and disturbed.

After reflecting for some time he stammered:

“The fact is – the fact is – I am not alone here. I have my son-in-law.”

There were exclamations and shouts of “Your son-in-law! Where is he?”

He suddenly appeared confused and his face grew red.

“What! do you not know? Why – why – he is in the coach house. He is dead.”

They were all silent in amazement.

M. d’Arnelles continued, more and more disturbed:

“I had the misfortune to lose him; and as I was taking the body to my house, in Briseville, I came round this way so as not to miss our appointment. But you can see that I cannot wait any longer.”

Then one of the sportsmen, bolder than the rest said:

“Well, but – since he is dead – it seems to me that he can wait a day longer.”

The others chimed in:

“That cannot be denied.”

M. d’Arnelles appeared to be relieved of a great weight, but a little uneasy, nevertheless, he asked:

“But, frankly – do you think – ”

The three others, as one man, replied:

“Parbleu! my dear boy, two days more or less can make no difference in his present condition.”

And, perfectly calmly, the father-in-law turned to the undertaker’s assistant, and said:

“Well, then, my friend, it will be the day after tomorrow.”