A DEER PARK IN THE PROVINCES
It is not very long ago that an Hungarian Prince, who was in an Austrian cavalry regiment, was quartered in a wealthy Austrian garrison town. The ladies of the local aristocracy naturally did everything they could to allure the new comer, who was young, good-looking, animated and amusing, into their nets, and at last one of the ripe beauties, who was now resting there on her amorous laurels, after innumerable victories on the hot floors of Viennese society, succeeded in taking him in her toils, but only for a short time, for she had very nearly reached that limit in age where, on the man's side, love ceases and esteem begins. But she had more sense than most women, and she recognized the fact in good time, and as she did not wish to give up the principal character which she played in society there so easily, she reflected as to what means she could employ to bind him to her in another manner. It is well known that the notorious Marchioness de Pompadour, who was one of the mistresses of Louis XV. of France, when her own charms did not suffice to fetter that changeable monarch, conceived the idea of securing the chief power in the State and in society for herself, by having a pavilion in the deer park, which belonged to her, and where Louis XV. was in the habit of hunting, fitted up with every accommodation of a harem, where she brought beautiful women and girls of all ranks of life to the arms of her royal lover.
Inspired by that historical example, the baroness began to arrange evening parties, balls, and private theatricals in the winter, and in the summer excursions into the country, and thus she gave the Prince, who at that time was still, so to say, at her feet, the opportunity of plucking fresh flowers. But even this clever expedient did not avail in the long run, for beautiful women were scarce in that provincial town, and the few which the local aristocracy could produce were not able to offer the Prince any fresh attractions, when he had made their closer acquaintance. At last, therefore, he turned his back on the highly-born Messalinas, and began to bestow marked attention on the pretty women and girls of the middle classes, either in the streets or when he was in his box at the theater.
There was one girl in particular, the daughter of a well-to-do merchant, who was supposed to be the most beautiful girl in the capital, on to whom his opera glass was constantly leveled, and whom he even followed occasionally without being noticed. But Baroness Pompadour soon got wind of this unprincely taste, and determined to do everything in her power to keep her lover and the whole nobility, which was threatened, from such an unheard-of disgrace, as an intrigue of a Prince with a girl of the middle classes, would have been in her eyes. "It is really sad," the outraged baroness once said to me, "that in these days princes and monarchs choose their mistresses only from the stage, or even from the scum of the people. But it is the fault of our ladies themselves. They mistake their vocation! Ah! Where are those delightful times when the daughters of the first families looked upon it as an honor to become their princes' mistresses?"
Consequently, the horror of the blue-blooded, aristocratic lady was intense when the Prince, in his usual, amiable, careless manner, suggested to her to people her deer park with girls of the lower orders.
"It is a ridiculous prejudice," the Prince said on that occasion, "which obliges us to shut ourselves off from the other ranks, and to confine ourselves altogether to our own circle, for monotony and boredom are the inevitable consequences of it. How many honorable men of sense and education, and especially how many charming women and girls there are, who do not belong to the aristocracy, who would infuse fresh life and a new charm into our dull, listless society! I very much wish that a lady like you would make a beginning, and would give up this exclusiveness, which cannot be maintained in these days, and would enrich our circle with the charming daughters of middle class families."
A wish of the Prince's was as good as a command; so the baroness made a wry face, but she accommodated herself to the circumstances, and promised to invite some of the prettiest girls of the plebs to a ball in a few days. She really issued a number of invitations, and even condescended to drive to the house of each of them in person. "But I must ask one thing of you," she said to each of the pretty girls, "and that is to come dressed as simply as possible; washing muslins will be best. The Prince dislikes all finery and ostentation and he would be very vexed with me if I were the cause of any extravagance on your part."
The great day arrived; it was quite an event for the little town, and all classes of society were in a state of the greatest excitement. The pretty, plebeian girls, with her whom the Prince had first noticed at their head, appeared in all their innocence, in plain, washing dresses, according to the Prince's orders, with their hair plainly dressed, and without any ornaments, except their own fresh, buxom charms. When they were all captives in the den of the proud, aristocratic lioness, the poor little mice were very much terrified when suddenly the aristocratic ladies came into the ball-room, rustling in whole oceans of silks and lace, with their haughty heads changed into so many hanging gardens of Semiramis, loaded with all the treasures of India, and radiant as the sun.
At first the poor girls looked down in shame and confusion, and Baroness Pompadour's eyes glistened with all the joy of triumph, but her ill-natured pleasure did not last long, for the intrigue, on which the Prince's ignoble passions were to make shipwreck, recoiled on the highly-born lady patroness of the deer park.
It was not the aristocratic ladies in their magnificent toilettes that threw the girls from the middle classes into the shade, but, on the contrary, those pretty girls in their washing dresses, and with the plain but splendid ornament of their abundant hair looked far more charming than they would have done in silk dresses with long trains, and with flowers in their hair, and the novelty and unwontedness of their appearance there allured not only the Prince, but all the other gentlemen and officers, so that the proud grand-daughters of the lions, griffins, and eagles, were quite neglected by the gentlemen, who danced almost exclusively with the pretty girls of the middle classes.
The faded lips of the baronesses and countesses uttered many a "For Shame!" but all in vain, neither was it any good for the Baroness to make up her mind that she would never again put a social medley before the Prince in her drawing-room, for he had seen through her intrigue, and gave her up altogether. Sic transit gloria mundi!
She, however, consoled herself as best she could.
THE WHITE LADY
Fortuna, the goddess of chance and good luck, has always been Cupid's best ally and Arnold T., who was a lieutenant in a hussar regiment, was evidently a special favorite of both those roguish deities.
This good-looking, well-bred young officer had been an enthusiastic admirer of the two Countesses W., mother and daughter, during a tolerably long leave of absence, which he spent with his relations in Vienna. He had admired them from the Prater, and worshiped them at the opera, but he had never had an opportunity of making their acquaintance, and when he was back at his dull quarters in Galicia, he liked to think about those two aristocratic beauties. Last summer his regiment was transferred to Bohemia, to a wildly romantic district, that had been made illustrious by a talented writer, which abounded in magnificent woods, lofty mountain-forests and castles, and which was a favorite summer resort of the neighboring aristocracy.
Who can describe his joyful surprise, when he and his men were quartered in an old, weather-beaten castle in the middle of a wood, and he learnt from the house-steward who received him that the owner of the castle was the husband, and, consequently, also the father of his Viennese ideals. An hour after he had taken possession of his old-fashioned, but beautifully furnished, room in a side-wing of the castle, he put on his full-dress uniform, and throwing his dolman over his shoulders, he went to pay his respects to the Count and the ladies.
He was received with the greatest cordiality. The Count was delighted to have a companion when he went out shooting, and the ladies were no less pleased at having some one to accompany them on their walks in the forests, or on their rides, so that he felt only half on the earth, and half in the seventh heaven of Mohammedan bliss. Before supper he had time to inspect the house more closely, and even to take a sketch of the large, gloomy building from a favorable point. The ancient seat of the Counts of W. was really very gloomy; in fact it created a sinister, uncomfortable feeling. The walls, which were crumbling away here and there, and which were covered with dark ivy; the round towers, which harbored jackdaws, owls, and hawks; the Æolian harp, which complained and sighed and wept in the wind; the stones in the castle yard, which were overgrown with grass; the cloisters, in which every footstep re-echoed; the great ancestral portraits which hung on the walls, coated as it were with dark, mysterious veils by the centuries which had passed over them – all this recalled to him the legends and fairy tales of his youth, and he involuntarily thought of the Sleeping Beauty in the Wood, and of Blue Beard, of the cruel mistress of the Kynast,7 and that aristocratic tigress of the Carpathians, who obtained the unfading charms of eternal youth by bathing in human blood.
He came in to supper where he found himself for the first time in company with all the members of the family, just in the frame of mind that was suitable for ghosts, and was not a little surprised when his host told him, half smiling and half seriously, that the "White Lady" was disturbing the castle again, and that she had latterly been seen very often. "Yes, indeed," Countess Ida exclaimed; "You must take care, Baron, for she haunts the very wing where your room is." The hussar was just in the frame of mind to take the matter seriously, but, on the other hand, when he saw the dark, ardent eyes of the Countess, and then the merry blue eyes of her daughter fixed on him, any real fear of ghosts was quite out of the question with him. For Baron T. feared nothing in this world, but he possessed a very lively imagination, which could conjure up threatening forms from another world so plainly that sometimes he felt very uncomfortable at his own fancies. But on the present occasion that malicious apparition had no power over him; the ladies took care of that, for both of them were beautiful and amiable.
The Countess was a mature Venus of thirty-six, of middle height, and with the voluptuous figure of a true Viennese, with bright eyes, thick dark hair, and beautiful white teeth, while her daughter Ida, who was seventeen, had light hair and the pert little nose of the china figures of shepherdesses in the dress of the period of Louis XIV., and was short, slim, and full of French grace. Besides them and the Count, a son of twelve and his tutor were present at supper. It struck the hussar as strange that the tutor, who was a strongly-built young man, with a winning face and those refined manners which the greatest plebeian quickly acquires when brought into close and constant contact with the aristocracy, was treated with great consideration by all the family except the Countess, who treated him very haughtily. She assumed a particularly imperious manner towards her son's tutor, and she either found fault with, or made fun of, everything that he did, while he put up with it all with smiling humility.
Before supper was over their conversation again turned on to the ghost, and Baron T. asked whether they did not possess a picture of the White Lady. "Of course we have one," they all replied at once; whereupon Baron T. begged to be allowed to see it. "I will show it you to-morrow," the Count said. "No, Papa, now, immediately," the younger lady said mockingly; "just before the ghostly hour, such a thing creates a much greater impression."
All who were present, not excepting the boy and his tutor, took a candle and then they walked as if they had formed a torchlight procession, to the wing of the house where the hussar's room was. There was a life-size picture of the White Lady hanging in a Gothic passage near his room, among other ancestral portraits, and it by no means made a terrible impression on anyone who looked at it, but rather the contrary. The ghost, dressed in stiff, gold brocade and purple velvet, and with a hawk on her wrist, looked like one of those seductive Amazons of the fifteenth century, who exercised the art of laying men and game at their feet with equal skill.
"Don't you think that the White Lady is very like mamma?" Countess Ida said, interrupting the Baron's silent contemplation of the picture. "There is no doubt of it," the hussar replied, while the Countess smiled and the tutor turned red, and they were still standing before the picture, when a strong gust of wind suddenly extinguished all the lights, and they all uttered a simultaneous cry. The White Lady, the little Count whispered, but she did not come, and as it was luckily a moonlight night, they soon recovered from their momentary shock. The family retired to their apartments, while the hussar and the tutor went to their own rooms, which were situated in the wing of the castle which was haunted by the White Lady; the officer's being scarcely thirty yards from the portrait, while the tutor's were rather further down the corridor.
The hussar went to bed, and was soon fast asleep, and though he had rather uneasy dreams nothing further happened. But while they were at breakfast the next morning, the Count's body-servant told them, with every appearance of real terror, that as he was crossing the court-yard at midnight, he had suddenly heard a noise like bats in the open cloisters, and when he looked he distinctly saw the White Lady gliding slowly through them; but they merely laughed at the poltroon, and though our hussar laughed also, he fully made up his mind, without saying a word about it, to keep a look-out for the ghost that night.
Again they had supper alone, without any company, had some music and pleasant talk and separated at half-past eleven. The hussar, however, only went to his room for form's sake; he loaded his pistols, and when all was quiet in the castle, he crept down into the court-yard and took up his position behind a pillar which was quite hidden in the shade, while the moon, which was nearly at the full, flooded the cloisters with its clear, pale light.
There were no lights to be seen in the castle except from two windows, which were those of the Countess's apartments, and soon they were also extinguished. The clock struck twelve, and the hussar could scarcely breathe from excitement; the next moment, however, he heard the noise which the Count's body-servant had compared to that of bats, and almost at the same instant a white figure glided slowly through the open cloisters and passed so close to him, that it almost made his blood curdle, and then it disappeared in the wing of the castle which he and the tutor occupied.
The officer who was usually so brave, stood as though he was paralyzed for a few moments, but then he took heart, and feeling determined to make the nearer acquaintance of the spectral beauty, he crept softly up the broad staircase and took up his position in a deep recess in the cloisters, where nobody could see him.
He waited for a long time; he heard every quarter strike, and at last, just before the close of the witching hour, he heard the same noise like the rustling of bats, and then she came, he felt the flutter of her white dress, and she stood before him – it was indeed the Countess.
He presented his pistol at her as he challenged her, but she raised her hand menacingly. "Who are you?" he exclaimed. "If you are really a ghost, prove it, for I am going to fire." "For heaven's sake!" the White Lady whispered, and at the same instant two white arms were thrown round him, and he felt a full, warm bosom heaving against his own.
After that night the ghost appeared more frequently still. Not only did the White Lady make her appearance every night in the cloisters, only to disappear in the proximity of the hussar's rooms as long as the family remained at the castle, but she even followed them to Vienna.
Baron T., who went to that capital on leave of absence during the following winter, and who was the Count's guest at the express wish of his wife, was frequently told by the footman that although hitherto she had seemed to be confined to the old castle in Bohemia, she had shown herself now here, now there, in the mansion in Vienna, in a white dress and making a noise like the wings of a bat, and bearing a striking resemblance to the beautiful Countess.
CAUGHT
A young and charming lady, who was a member of the Viennese aristocracy, went last summer, like young and charming ladies usually do, to a fashionable Austrian watering place, Carlsbad, which is much frequented by foreigners, without her husband.
As is usually the case in their rank of life, she had married from family considerations and for money; and the short spell of Love after Marriage was not sufficient to take deep root, and after she had satisfied family traditions and her husband's wishes by giving birth to a son and heir, they both went their way; the young, handsome and fascinating man to his clubs, the race-course, and behind the scenes at the theaters, and his charming, coquettish wife to her box at the opera, to the ice in winter, and to some fashionable watering place in the summer.
On the present occasion she brought a young, very highly-connected Pole with her from one of the latter resorts, who enjoyed all the rights and the liberty of an avowed favorite, and who had to perform all the duties of a slave.
As is usual in such cases, the lady rented a small house in one of the suburbs of Vienna, had it beautifully furnished and received her lover there. She was always dressed very attractively, sometimes as La Belle Hélène in Offenbach's Opera, only rather more after the ancient Greek fashion; another time as an Odalisque in the Sultan's harem, and another time as a lighthearted Suabian girl, and so forth. In winter, however, she grew tired of such meetings, and she wanted to have matters more comfortable, so she took it into her head to receive her lover in her own house. But how was it to be done? That, however, gave her no particular difficulty, as is the case with every woman, when once she has made up her mind to a thing, and after thinking it over for a day or two she went to the next rendez-vous, with a fully prepared plan of war.
The Pole was one of those types of handsome men which are rare; he was almost womanly in his delicate features, of the middle height, slim and well-made, and he resembled a youthful Bacchus who might very easily be made to pass for a Venus by the help of false locks; the more so as there was not even the slightest down on his lips. The lady, therefore, who was very fertile in resources, suggested to the handsome Pole that he might just as well transform himself into a handsome Polish lady, so that he might, under the cover of the ever feminine, be able to visit her undisturbed, and as it was winter, the thick, heavy, capacious dress assisted the metamorphosis.
The lady, accordingly, bought a number of very beautiful costumes for her lover, and in the course of a few days she told her husband that a charming young Polish lady, whose acquaintance she had made in the summer at Carlsbad, was going to spend the winter in Vienna, and would very frequently come and see her. Her husband listened to her with the greatest indifference, for it was one of his fundamental rules never to make love to any of his wife's female friends, and he went to his club as usual at night, and the next day had forgotten all about the Polish lady.
And now, half an hour after the husband had left the house, a cab drove up and a tall, slim, heavily veiled lady got out and went up the thickly carpeted stairs, only to be metamorphosed into the most ardent lover in the young woman's boudoir. The young Pole grew accustomed to his female attire so quickly that he even ventured to appear in the streets in it, and when he began to make conquests, and aristocratic gentlemen and successful speculators on the Stock Exchange looked at him significantly, and even followed him, he took a real pleasure in the part he was playing, and began to understand the pleasure a coquette feels in tormenting men.
The young Pole became more and more daring, until at last one evening he went to a private box at the opera, wrapped in an ermine cloak, on to which his dark, false curls fell in heavy waves.
A handsome young man in a box opposite to him ogled him incessantly from the first moment, and the young Pole responded in a manner which made the other bolder every minute. At the end of the third act, the box opener brought the fictitious Venus a small bouquet with a card concealed in it, on which was written in pencil: "You are the most lovely woman in the world, and I implore you on my knees to grant me an interview." The young Pole read the name of the man who had been captivated so quickly, and, with a peculiar smile, wrote on a card on which nothing but the name "Valeska" was printed: "After the theater," and sent Cupid's messenger back with it.
When the spurious Venus was about to enter her carriage after the performance, thickly veiled and wrapped in her ermine cloak, the handsome young man was standing by it with his hat off, and he opened the door for her. She was kind enough to allow him to get in with her and during their drive she talked to him in the most charming manner, but she was cruel enough to dismiss him without pity before they reached her house, and this she did every time. For she went to the theater each night now, and every evening she received an ardent note, and every evening she allowed the amorous swain to accompany her as far as her house, and men were beginning to envy him on account of his brilliant conquest, when a catastrophe happened which was very surprising for all concerned.
The husband of the lady in whose eyes the Pole had found favor, surprised the loving couple one day under circumstances which made any justification impossible. But while he, trembling with rage and jealousy, was drawing a small Circassian dagger which hung against the wall from its sheath, and as his wife threw herself, half-fainting, on to a couch, the young Pole had hastily put the false curls on to his head, and had slipped into the silk dress and the sable cloak which he had been wearing when he came into his mistress's boudoir. "What does this mean," the husband stammered, "Valeska?" – "Yes, sir," the young Pole replied; "Valeska, who has come here to show your wife a few love letters, which." … "No, no," the deceived, but nevertheless guilty, husband said in imploring accents; "no, that is quite unnecessary." And at the same time he put the dagger back into its sheath. "Very well then, there is a truce between us," the Pole observed coolly, "but do not forget what weapons I possess, and which I mean to retain against all contingencies."
Then the gentlemen bowed politely to each other, and the unexpected meeting came to an end.
From that time forward, the terms on which the young married couple lived together assumed the character of that everlasting peace, which President Grant once promised to the whole world in his message to all nations. The young woman did not find it necessary to make her lover put on petticoats, and the husband constantly accompanied the real Valeska a good deal further than he did the false one on that memorable occasion.
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