"Polly," cried the young man, "do you think Jupiter liked Hebe any the less because she was as fresh and innocent as the nectar she served out to him? If he had, my dear, he'd have sent for Clotho, or Atropos, or some one or other of the elderly maiden ladies of Hades, to wait upon him as cupbearer. I wouldn't have you otherwise than you are, Polly, by so much as one thought."

The girl looked up at her husband in a rapture of innocent affection.

"I am too happy, Edward," she said, in a low awe-stricken whisper – "I am too happy! So much happiness can never last."

Alas! the orphan girl's experience of this life had early taught her the lesson which some people learn so late. She had learnt to distrust the equal blue of a summer sky, the glorious splendour of the blazing sunlight. She was accustomed to sorrow; but these brief glimpses of perfect happiness filled her with a dim sense of terror. She felt like some earthly wanderer who had strayed across the threshold of Paradise. In the midst of her delight and admiration, she trembled for the moment in which the ruthless angels, bearing flaming swords, should drive her from the celestial gates.

"It can't last, Edward," she murmured.

"Can't last, Polly!" cried the young man; "why, my dove is transformed all at once into a raven. We have outlived our troubles, Polly, like the hero and heroine in one of your novels; and what is to prevent our living happy ever afterwards, like them? If you remember, my dear, no sorrows or trials ever fall to the lot of people after marriage. The persecutions, the separations, the estrangements, are all ante-nuptial. When once your true novelist gets his hero and heroine up to the altar-rails in real earnest, – he gets them into the church sometimes, and then forbids the banns, or brings a former wife, or a rightful husband, pale and denouncing, from behind a pillar, and drives the wretched pair out again, to persecute them through three hundred pages more before he lets them get back again, – but when once the important words are spoken and the knot tied, the story's done, and the happy couple get forty or fifty years' wedded bliss, as a set-off against the miseries they have endured in the troubled course of a twelvemonth's courtship. That's the sort of thing, isn't it, Polly?"

The clock of St. Cross, sounding faintly athwart the meadows, struck three as the young man finished speaking.

"Three o'clock, Polly!" he cried; "we must go home, my pet. I mean to be businesslike to-day."

Upon each day in that happy honeymoon holiday Captain Arundel had made some such declaration with regard to his intention of being businesslike; that is to say, setting himself deliberately to the task of writing those letters which should announce and explain his marriage to the people who had a right to hear of it. But the soldier had a dislike to all letter-writing, and a special horror of any epistolary communication which could come under the denomination of a business-letter; so the easy summer days slipped by, – the delicious drowsy noontides, the soft and dreamy twilight, the tender moonlit nights, – and the Captain put off the task for which he had no fancy, from after breakfast until after dinner, and from after dinner until after breakfast; always beguiled away from his open travelling-desk by a word from Mary, who called him to the window to look at a pretty child on the village green before the inn, or at the blacksmith's dog, or the tinker's donkey, or a tired Italian organ-boy who had strayed into that out-of-the-way nook, or at the smart butcher from Winchester, who rattled over in a pony-cart twice a week to take orders from the gentry round about, and to insult and defy the local purveyor, whose stock-in-trade generally seemed to consist of one leg of mutton and a dish of pig's fry.

The young couple walked slowly through the meadows, crossing rustic wooden bridges that spanned the winding stream, loitering to look down into the clear water at the fish which Captain Arundel pointed out, but which Mary could never see; – that young lady always fixing her eyes upon some long trailing weed afloat in the transparent water, while the silvery trout indicated by her husband glided quietly away to the sedgy bottom of the stream. They lingered by the water-mill, beneath whose shadow some children were fishing; they seized upon every pretext for lengthening that sunny homeward walk, and only reached the inn as the village clocks were striking four, at which hour Captain Arundel had ordered dinner.

But after the simple little repast, mild and artless in its nature as the fair young spirit of the bride herself; after the landlord, sympathetic yet respectful, had in his own person attended upon his two guests; after the pretty rustic chamber had been cleared of all evidence of the meal that had been eaten, Edward Arundel began seriously to consider the business in hand.

"The letters must be written, Polly," he said, seating himself at a table near the open window. Trailing branches of jasmine and honeysuckle made a framework round the diamond-paned casement; the perfumed blossoms blew into the room with every breath of the warm August breeze, and hung trembling in the folds of the chintz curtains. Mr. Arundel's gaze wandered dreamily away through this open window to the primitive picture without, – the scattered cottages upon the other side of the green, the cattle standing in the pond, the cackling geese hurrying homeward across the purple ridge of common, the village gossips loitering beneath the faded sign that hung before the low white tavern at the angle of the road. He looked at all these things as he flung his leathern desk upon the table, and made a great parade of unlocking and opening it.

"The letters must be written," he repeated, with a smothered sigh. "Did you ever notice a peculiar property in stationery, Polly?"

Mrs. Edward Arundel only opened her brown eyes to their widest extent, and stared at her husband.

"No, I see you haven't," said the young man. "How should you, you fortunate Polly? You've never had to write any business-letters yet, though you are an heiress. The peculiarity of all stationery, my dear, is, that it is possessed of an intuitive knowledge of the object for which it is to be used. If one has to write an unpleasant letter, Polly, it might go a little smoother, you know; one might round one's paragraphs, and spell the difficult words – the 'believes' and 'receives,' the 'tills' and 'untils,' and all that sort of thing – better with a pleasant pen, an easy-going, jolly, soft-nibbed quill, that would seem to say, 'Cheer up, old fellow! I'll carry you through it; we'll get to "your very obedient servant" before you know where you are,' and so on. But, bless your heart, Polly! let a poor unbusinesslike fellow try to write a business-letter, and everything goes against him. The pen knows what he's at, and jibs, and stumbles, and shies about the paper, like a broken-down screw; the ink turns thick and lumpy; the paper gets as greasy as a London pavement after a fall of snow, till a poor fellow gives up, and knocks under to the force of circumstances. You see if my pen doesn't splutter, Polly, the moment I address Richard Paulette."

Captain Arundel was very careful in the adjustment of his sheet of paper, and began his letter with an air of resolution.

"White Hart Inn, Milldale, near Winchester,

"August 14th.

"MY DEAR SIR,"

He wrote as much as this with great promptitude, and then, with his elbow on the table, fell to staring at his pretty young wife and drumming his fingers on his chin. Mary was sitting opposite her husband at the open window, working, or making a pretence of being occupied with some impossible fragment of Berlin wool-work, while she watched her husband.

"How pretty you look in that white frock, Polly!" said the soldier; "you call those things frocks, don't you? And that blue sash, too, – you ought always to wear white, Mary, like your namesakes abroad who arevouée au blanc by their faithful mothers, and who are a blessing to the laundresses for the first seven or fourteen years of their lives. What shall I say to Paulette? He's such a jolly fellow, there oughtn't to be much difficulty about the matter. 'My dear sir,' seems absurdly stiff; 'my dear Paulette,' – that's better, – 'I write this to inform you that your client, Miss Mary March – ' What's that, Polly?"

It was the postman, a youth upon a pony, with the afternoon letters from London. Captain Arundel flung down his pen and went to the window. He had some interest in this young man's arrival, as he had left orders that such letters as were addressed to him at the hotel in Covent Garden should be forwarded to him at Milldale.

"I daresay there's a letter from Germany, Polly," he said eagerly. "My mother and Letitia are capital correspondents; I'll wager anything there's a letter, and I can answer it in the one I'm going to write this evening, and that'll be killing two birds with one stone. I'll run down to the postman, Polly."

Captain Arundel had good reason to go after his letters, for there seemed little chance of those missives being brought to him. The youthful postman was standing in the porch drinking ale out of a ponderous earthenware mug, and talking to the landlord, when Edward went down.

"Any letters for me, Dick?" the Captain asked. He knew the Christian name of almost every visitor or hanger-on at the little inn, though he had not stayed there an entire fortnight, and was as popular and admired as if he had been some free-spoken young squire to whom all the land round about belonged.

"'Ees, sir," the young man answered, shuffling off his cap; "there be two letters for ye."

He handed the two packets to Captain Arundel, who looked doubtfully at the address of the uppermost, which, like the other, had been re-directed by the people at the London hotel. The original address of this letter was in a handwriting that was strange to him; but it bore the postmark of the village from which the Dangerfield letters were sent.

The back of the inn looked into an orchard, and through an open door opposite to the porch Edward Arundel saw the low branches of the trees, and the ripening fruit red and golden in the afternoon sunlight. He went out into this orchard to read his letters, his mind a little disturbed by the strange handwriting upon the Dangerfield epistle.

The letter was from his father's housekeeper, imploring him most earnestly to go down to the Park without delay. Squire Arundel had been stricken with paralysis, and was declared to be in imminent danger. Mrs. and Miss Arundel and Mr. Reginald were away in Germany. The faithful old servant implored the younger son to lose no time in hurrying home, if he wished to see his father alive.

The soldier leaned against the gnarled grey trunk of an old apple-tree, and stared at this letter with a white awe-stricken face.

What was he to do? He must go to his father, of course. He must go without a moment's delay. He must catch the first train that would carry him westward from Southampton. There could be no question as to his duty. He must go; he must leave his young wife.

His heart sank with a sharp thrill of pain, and with perhaps some faint shuddering sense of an unknown terror, as he thought of this.

"It was lucky I didn't write the letters," he reflected; "no one will guess the secret of my darling's retreat. She can stay here till I come back to her. God knows I shall hurry back the moment my duty sets me free. These people will take care of her. No one will know where to look for her. I'm very glad I didn't write to Olivia. We were so happy this morning! Who could think that sorrow would come between us so soon?"

Captain Arundel looked at his watch. It was a quarter to six o'clock, and he knew that an express left Southampton for the west at eight. There would be time for him to catch that train with the help of a sturdy pony belonging to the landlord of the White Hart, which would rattle him over to the station in an hour and a half. There would be time for him to catch the train; but, oh! how little time to comfort his darling – how little time to reconcile his young wife to the temporary separation!

He hurried back to the porch, briefly explained to the landlord what had happened, ordered the pony and gig to be got ready immediately, and then went very, very slowly upstairs, to the room in which his young wife sat by the open window waiting for his return.

Mary looked up at his face as he entered the room, and that one glance told her of some new sorrow.

"Edward," she cried, starting up from her chair with a look of terror, "my stepmother has come."

Even in his trouble the young man smiled at his foolish wife's all-absorbing fear of Olivia Marchmont.

"No, my darling," he said; "I wish to heaven our worst trouble were the chance of your father's widow breaking in upon us. Something has happened, Mary; something very sorrowful, very serious for me. My father is ill, Polly dear, dangerously ill, and I must go to him."

Mary Arundel drew a long breath. Her face had grown very white, and the hands that were linked tightly round her husband's arm trembled a little.

"I will try to bear it," she said; "I will try to bear it."

"God bless you, my darling!" the soldier answered fervently, clasping his young wife to his breast. "I know you will. It will be a very short parting, Mary dearest. I will come back to you directly I have seen my father. If he is worse, there will be little need for me to stop at Dangerfield; if he is better, I can take you back there with me. My own darling love, it is very bitter for us to be parted thus; but I know that you will bear it like a heroine. Won't you, Polly?"

"I will try to bear it, dear."

She said very little more than this, but clung about her husband, not with any desperate force, not with any clamorous and tumultuous grief, but with a half-despondent resignation; as a drowning man, whose strength is well-nigh exhausted, may cling, in his hopelessness, to a spar, which he knows he must presently abandon.

Mary Arundel followed her husband hither and thither while he made his brief and hurried preparations for the sudden journey; but although she was powerless to assist him, – for her trembling hands let fall everything she tried to hold, and there was a mist before her eyes, which distorted and blotted the outline of every object she looked at, – she hindered him by no noisy lamentations, she distressed him by no tears. She suffered, as it was her habit to suffer, quietly and uncomplainingly.

The sun was sinking when she went with Edward downstairs to the porch, before which the landlord's pony and gig were in waiting, in custody of a smart lad who was to accompany Mr. Arundel to Southampton. There was no time for any protracted farewell. It was better so, perhaps, Edward thought. He would be back so soon, that the grief he felt in this parting – and it may be that his suffering was scarcely less than Mary's – seemed wasted anguish, to which it would have been sheer cowardice to give way. But for all this the soldier very nearly broke down when he saw his childish wife's piteous face, white in the evening sunlight, turned to him in mute appeal, as if the quivering lips would fain have entreated him to abandon all and to remain. He lifted the fragile figure in his arms, – alas! it had never seemed so fragile as now, – and covered the pale face with passionate kisses and fast-dropping tears.

"God bless and defend you, Mary! God keep – "

He was ashamed of the huskiness of his voice, and putting his wife suddenly away from him, he sprang into the gig, snatched the reins from the boy's hand, and drove away at the pony's best speed. The old-fashioned vehicle disappeared in a cloud of dust; and Mary, looking after her husband with eyes that were as yet tearless, saw nothing but glaring light and confusion, and a pastoral landscape that reeled and heaved like a stormy sea.

It seemed to her, as she went slowly back to her room, and sat down amidst the disorder of open portmanteaus and overturned hatboxes, which the young man had thrown here and there in his hurried selection of the few things necessary for him to take on his hasty journey – it seemed as if the greatest calamity of her life had now befallen her. As hopelessly as she had thought of her father's death, she now thought of Edward Arundel's departure. She could not see beyond the acute anguish of this separation. She could not realise to herself that there was no cause for all this terrible sorrow; that the parting was only a temporary one; and that her husband would return to her in a few days at the furthest. Now that she was alone, now that the necessity for heroism was past, she abandoned herself utterly to the despair that had held possession of her soul from the moment in which Captain Arundel had told her of his father's illness.

The sun went down behind the purple hills that sheltered the western side of the little village. The tree-tops in the orchard below the open window of Mrs. Arundel's bedroom grew dim in the grey twilight. Little by little the sound of voices in the rooms below died away into stillness. The fresh rosy-cheeked country girl who had waited upon the young husband and wife, came into the sitting-room with a pair of wax-candles in old-fashioned silver candlesticks, and lingered in the room for a little time, expecting to receive some order from the lonely watcher. But Mary had locked the door of her bedchamber, and sat with her head upon the sill of the open window, looking out into the dim orchard. It was only when the stars glimmered in the tranquil sky that the girl's blank despair gave way before a sudden burst of tears, and she flung herself down beside the white-curtained bed to pray for her young husband. She prayed for him in an ecstatic fervour of love and faith, carried away by the new hopefulness that arose out of her ardent supplications, and picturing him going triumphant on his course, to find his father out of danger, – restored to health, perhaps, – and to return to her before the stars glimmered through the darkness of another summer's night. She prayed for him, hoping and believing everything; though at the hour in which she knelt, with the faint starlight shimmering upon her upturned face and clasped hands, Edward Arundel was lying, maimed and senseless, in the wretched waiting-room of a little railway-station in Dorsetshire, watched over by an obscure country surgeon, while the frightened officials scudded here and there in search of some vehicle in which the young man might be conveyed to the nearest town.

There had been one of those accidents which seem terribly common on every line of railway, however well managed. A signalman had mistaken one train for another; a flag had been dropped too soon; and the down-express had run into a heavy luggage-train blundering up from Exeter with farm-produce for the London markets. Two men had been killed, and a great many passengers hurt; some very seriously. Edward Arundel's case was perhaps one of the most serious amongst these.

CHAPTER V.
SOUNDING THE DEPTHS

Lavinia Weston spent the evening after her visit to Marchmont Towers at her writing-desk, which, like everything else appertaining to her, was a model of neatness and propriety; perfect in its way, although it was no marvellous specimen of walnut-wood and burnished gold, no elegant structure of papier-mâché and mother-of-pearl, but simply a schoolgirl's homely rosewood desk, bought for fifteen shillings or a guinea.

Mrs. Weston had administered the evening refreshment of weak tea, stale bread, and strong butter to her meek husband, and had dismissed him to the surgery, a sunken and rather cellar-like apartment opening out of the prim second-best parlour, and approached from the village street by a side-door. The surgeon was very well content to employ himself with the preparation of such draughts and boluses as were required by the ailing inhabitants of Kemberling, while his wife sat at her desk in the room above him. He left his gallipots and pestle and mortar once or twice in the course of the evening, to clamber ponderously up the three or four stairs leading to the sitting-room, and stare through the keyhole of the door at Mrs. Weston's thoughtful face, and busy hand gliding softly over the smooth note-paper. He did this in no prying or suspicious spirit, but out of sheer admiration for his wife.

"What a mind she has!" he murmured rapturously, as he went back to his work; "what a mind!"

The letter which Lavinia Weston wrote that evening was a very long one. She was one of those women who write long letters upon every convenient occasion. To-night she covered two sheets of note-paper with her small neat handwriting. Those two sheets contained a detailed account of the interview that had taken place that day between the surgeon's wife and Olivia; and the letter was addressed to the artist, Paul Marchmont.

Perhaps it was in consequence of the receipt of this letter that Paul Marchmont arrived at his sister's house at Kemberling two days after Mrs. Weston's visit to Marchmont Towers. He told the surgeon that he came to Lincolnshire for a few days' change of air, after a long spell of very hard work; and George Weston, who looked upon his brother-in-law as an intellectual demigod, was very well content to accept any explanation of Mr. Marchmont's visit.

"Kemberling isn't a very lively place for you, Mr. Paul," he said apologetically, – he always called his wife's brother Mr. Paul, – "but I dare say Lavinia will contrive to make you comfortable. She persuaded me to come here when old Dawnfield died; but I can't say she acted with her usual tact, for the business ain't as good as my Stanfield practice; but I don't tell Lavinia so."

Paul Marchmont smiled.

"The business will pick up by-and-by, I daresay," he said. "You'll have the Marchmont Towers family to attend to in good time, I suppose."

"That's what Lavinia said," answered the surgeon. "'Mrs. John Marchmont can't refuse to employ a relation,' she says; 'and, as first-cousin to Mary Marchmont's father, I ought' – meaning herself, you know – 'to have some influence in that quarter.' But then, you see, the very week we come here the gal goes and runs away; which rather, as one may say, puts a spoke in our wheel, you know."

Mr. George Weston rubbed his chin reflectively as he concluded thus. He was a man given to spending his leisure-hours – when he had any leisure, which was not very often – in tavern parlours, where the affairs of the nation were settled and unsettled every evening over sixpenny glasses of hollands and water; and he regretted his removal from Stanfield, which had been as the uprooting of all his dearest associations. He was a solemn man, who never hazarded an opinion lightly, – perhaps because he never had an opinion to hazard, – and his stolidity won him a good deal of respect from strangers; but in the hands of his wife he was meeker than the doves that cooed in the pigeon-house behind his dwelling, and more plastic than the knob of white wax upon which industrious Mrs. Weston was wont to rub her thread when engaged in the mysteries of that elaborate and terrible science which women paradoxically call plain needlework.

Paul Marchmont presented himself at the Towers upon the day after his arrival at Kemberling. His interview with the widow was a very long one. He had studied every line of his sister's letter; he had weighed every word that had fallen from Olivia's lips and had been recorded by Lavinia Weston; and taking the knowledge thus obtained as his starting-point, he took his dissecting-knife and went to work at an intellectual autopsy. He anatomised the wretched woman's soul. He made her tell her secret, and bare her tortured breast before him; now wringing some hasty word from her impatience, now entrapping her into some admission, – if only so much as a defiant look, a sudden lowering of the dark brows, an involuntary compression of the lips. He madeher reveal herself to him. Poor Rosencranz and Guildenstern were sorry blunderers in that art which is vulgarly called pumping, and were easily put out by a few quips and quaint retorts from the mad Danish prince; but Paul Marchmont would have played upon Hamlet more deftly than ever mortal musician played upon pipe or recorder, and would have fathomed the remotest depths of that sorrowful and erratic soul. Olivia writhed under the torture of that polite inquisition, for she knew that her secrets were being extorted from her; that her pitiful folly – that folly which she would have denied even to herself, if possible – was being laid bare in all its weak foolishness. She knew this; but she was compelled to smile in the face of her bland inquisitor, to respond to his commonplace expressions of concern about the protracted absence of the missing girl, and meekly to receive his suggestions respecting the course it was her duty to take. He had the air of responding to hersuggestions, rather than of himself dictating any particular line of conduct. He affected to believe that he was only agreeing with some understood ideas of hers, while he urged his own views upon her.

"Then we are quite of one mind in this, my dear Mrs. Marchmont," he said at last; "this unfortunate girl must not be suffered to remain away from her legitimate home any longer than we can help. It is our duty to find and bring her back. I need scarcely say that you, being bound to her by every tie of affection, and having, beyond this, the strongest claim upon her gratitude for your devoted fulfilment of the trust confided in you, – one hears of these things, Mrs. Marchmont, in a country village like Kemberling, – I need scarcely say that you are the most fitting person to win the poor child back to a sense of her duty – if she can be won to such a sense." Paul Marchmont added, after a sudden pause and a thoughtful sigh, "I sometimes fear – "

He stopped abruptly, waiting until Olivia should question him.

"You sometimes fear – ?"

"That – that the error into which Miss Marchmont has fallen is the result of a mental rather than of a moral deficiency."

"What do you mean?"

"I mean this, my dear Mrs. Marchmont," answered the artist, gravely; "one of the most powerful evidences of the soundness of a man's brain is his capability of assigning a reasonable motive for every action of his life. No matter how unreasonable the action in itself may seem, if the motive for that action can be demonstrated. But the moment a man acts without motive, we begin to take alarm and to watch him. He is eccentric; his conduct is no longer amenable to ordinary rule; and we begin to trace his eccentricities to some weakness or deficiency in his judgment or intellect. Now, I ask you what motive Mary Marchmont can have had for running away from this house?"

Olivia quailed under the piercing scrutiny of the artist's cold grey eyes, but she did not attempt to reply to his question.

"The answer is very simple," he continued, after that long scrutiny; "the girl could have had no cause for flight; while, on the other hand, every reasonable motive that can be supposed to actuate a woman's conduct was arrayed against her. She had a happy home, a kind stepmother. She was within a few years of becoming undisputed mistress of a very large estate. And yet, immediately after having assisted at a festive entertainment, to all appearance as gay and happy as the gayest and happiest there, this girl runs away in the dead of the night, abandoning the mansion which is her own property, and assigning no reason whatever for what she does. Can you wonder, then, if I feel confirmed in an opinion that I formed upon the day on which I heard the reading of my cousin's will?"

"What opinion?"

"That Mary Marchmont is as feeble in mind as she is fragile in body."

He launched this sentence boldly, and waited for Olivia's reply. He had discovered the widow's secret. He had fathomed the cause of her jealous hatred of Mary Marchmont; but even he did not yet understand the nature of the conflict in the desperate woman's breast. She could not be wicked all at once. Against every fresh sin she made a fresh struggle, and she would not accept the lie which the artist tried to force upon her.

"I do not think that there is any deficiency in my stepdaughter's intellect," she said, resolutely.

She was beginning to understand that Paul Marchmont wanted to ally himself with her against the orphan heiress, but as yet she did not understand why he should do so. She was slow to comprehend feelings that were utterly foreign to her own nature. There was so little of mercenary baseness in this strange woman's soul, that had the flame of a candle alone stood between her and the possession of Marchmont Towers, I doubt if she would have cared to waste a breath upon its extinction. She had lived away from the world, and out of the world; and it was difficult for her to comprehend the mean and paltry wickedness which arise out of the worship of Baal.

Paul Marchmont recoiled a little before the straight answer which the widow had given him.

"You think Miss Marchmont strong-minded, then, perhaps?" he said.

"No; not strong minded."

"My dear Mrs. Marchmont, you deal in paradoxes," exclaimed the artist. "You say that your stepdaughter is neither weak-minded nor strong-minded?"

"Weak enough, perhaps, to be easily influenced by other people; weak enough to believe anything my cousin Edward Arundel might choose to tell her; but not what is generally called deficient in intellect."

"You think her perfectly able to take care of herself?"