They ran through the streets of the seaport town;
They peered from the decks of the ships that lay:
The cold sea-fog that came whitening down
Was never as cold or white as they.
"Ho, Starbuck and Pinckney and Tenterden!
  Run for your shallops, gather your men,
  Scatter your boats on the lower bay."

Good cause for fear! In the thick midday
The hulk that lay by the rotting pier,
Filled with the children in happy play,
Parted its moorings, and drifted clear,—
  Drifted clear beyond the reach or call,—
  Thirteen children they were in all,—
    All adrift in the lower bay!

Said a hard-faced skipper, "God help us all!
She will not float till the turning tide!"
Said his wife, "My darling will hear my call,
Whether in sea or heaven she bide:"
  And she lifted a quavering voice and high,
  Wild and strange as a sea-bird's cry,
    Till they shuddered and wondered at her side.

The fog drove down on each laboring crew,
Veiled each from each and the sky and shore:
There was not a sound but the breath they drew,
And the lap of water and creak of oar;
  And they felt the breath of the downs, fresh blown
  O'er leagues of clover and cold gray stone,
    But not from the lips that had gone before.

They come no more. But they tell the tale,
That, when fogs are thick on the harbor reef,
The mackerel fishers shorten sail;
For the signal they know will bring relief:
  For the voices of children, still at play
  In a phantom hulk that drifts alway
    Through channels whose waters never fail.

It is but a foolish shipman's tale,
A theme for a poet's idle page;
But still, when the mists of doubt prevail,
And we lie becalmed by the shores of Age,
  We hear from the misty troubled shore
  The voice of the children gone before,
    Drawing the soul to its anchorage.

A Newport Romance

They say that she died of a broken heart
  (I tell the tale as 'twas told to me);
But her spirit lives, and her soul is part
  Of this sad old house by the sea.

Her lover was fickle and fine and French:
  It was nearly a hundred years ago
When he sailed away from her arms—poor wench—
  With the Admiral Rochambeau.

I marvel much what periwigged phrase
  Won the heart of this sentimental Quaker,
At what golden-laced speech of those modish days
  She listened—the mischief take her!

But she kept the posies of mignonette
  That he gave; and ever as their bloom failed
And faded (though with her tears still wet)
  Her youth with their own exhaled.

Till one night, when the sea-fog wrapped a shroud
  Round spar and spire and tarn and tree,
Her soul went up on that lifted cloud
  From this sad old house by the sea.

And ever since then, when the clock strikes two,
  She walks unbidden from room to room,
And the air is filled that she passes through
  With a subtle, sad perfume.

The delicate odor of mignonette,
  The ghost of a dead and gone bouquet,
Is all that tells of her story; yet
  Could she think of a sweeter way?

* * *

I sit in the sad old house to-night,—
  Myself a ghost from a farther sea;
And I trust that this Quaker woman might,
  In courtesy, visit me.

For the laugh is fled from porch and lawn,
  And the bugle died from the fort on the hill,
And the twitter of girls on the stairs is gone,
  And the grand piano is still.

Somewhere in the darkness a clock strikes two;
  And there is no sound in the sad old house,
But the long veranda dripping with dew,
  And in the wainscot a mouse.

The light of my study-lamp streams out
  From the library door, but has gone astray
In the depths of the darkened hall. Small doubt
  But the Quakeress knows the way.

Was it the trick of a sense o'erwrought
  With outward watching and inward fret?
But I swear that the air just now was fraught
  With the odor of mignonette!

I open the window, and seem almost—
  So still lies the ocean—to hear the beat
Of its Great Gulf artery off the coast,
  And to bask in its tropic heat.

In my neighbor's windows the gas-lights flare,
  As the dancers swing in a waltz of Strauss;
And I wonder now could I fit that air
  To the song of this sad old house.

And no odor of mignonette there is
  But the breath of morn on the dewy lawn;
And mayhap from causes as slight as this
  The quaint old legend is born.

But the soul of that subtle, sad perfume,
  As the spiced embalmings, they say, outlast
The mummy laid in his rocky tomb,
  Awakens my buried past.

And I think of the passion that shook my youth,
  Of its aimless loves and its idle pains,
And am thankful now for the certain truth
  That only the sweet remains.

And I hear no rustle of stiff brocade,
  And I see no face at my library door;
For now that the ghosts of my heart are laid,
  She is viewless forevermore.

But whether she came as a faint perfume,
  Or whether a spirit in stole of white,
I feel, as I pass from the darkened room,
  She has been with my soul to-night!

The Hawk's Nest
(Sierras.)

We checked our pace,—the red road sharply rounding;
  We heard the troubled flow
Of the dark olive depths of pines, resounding
  A thousand feet below.

Above the tumult of the cañon lifted,
  The gray hawk breathless hung;
Or on the hill a wingèd shadow drifted
  Where furze and thorn-bush clung;

Or where half-way the mountain side was furrowed
  With many a seam and scar;
Or some abandoned tunnel dimly burrowed,—
  A mole-hill seen so far.

We looked in silence down across the distant
  Unfathomable reach:
A silence broken by the guide's consistent
  And realistic speech.

"Walker of Murphy's blew a hole through Peters
  For telling him he lied;
Then up and dusted out of South Hornitos
  Across the long Divide.

"We ran him out of Strong's, and up through Eden,
  And 'cross the ford below;
And up this cañon (Peters' brother leadin'),
  And me and Clark and Joe.

"He fou't us game: somehow, I disremember
  Jest how the thing kem round;
Some say 'twas wadding, some a scattered ember
  From fires on the ground.

"But in one minute all the hill below him
  Was just one sheet of flame;
Guardin' the crest, Sam Clark and I called to him.
  And,—well, the dog was game!

"He made no sign: the fires of hell were round him,
  The pit of hell below.
We sat and waited, but never found him;
  And then we turned to go.

"And then—you see that rock that's grown so bristly
  With chaparral and tan—
Suthin' crep' out: it might hev been a grizzly,
  It might hev been a man;

"Suthin' that howled, and gnashed its teeth, and shouted
  In smoke and dust and flame;
Suthin' that sprang into the depths about it,
  Grizzly or man,—but game!

"That's all. Well, yes, it does look rather risky,
  And kinder makes one queer
And dizzy looking down. A drop of whiskey
  Ain't a bad thing right here!"

In the Mission Garden
(1865.)

Father Felipe

I speak not the English well, but Pachita
She speak for me; is it not so, my Pancha?
Eh, little rogue? Come, salute me the stranger
      Americano.

Sir, in my country we say, "Where the heart is,
There live the speech." Ah! you not understand? So!
Pardon an old man,—what you call "ol fogy,"—
      Padre Felipe!

Old, Señor, old! just so old as the Mission.
You see that pear-tree? How old you think, Señor?
Fifteen year? Twenty? Ah, Señor, just Fifty
      Gone since I plant him!

You like the wine? It is some at the Mission,
Made from the grape of the year Eighteen Hundred;
All the same time when the earthquake he come to
      San Juan Bautista.

But Pancha is twelve, and she is the rose-tree;
And I am the olive, and this is the garden:
And Pancha we say; but her name is Francisca,
      Same like her mother.

Eh, you knew her? No? Ah! it is a story;
But I speak not, like Pachita, the English:
So? If I try, you will sit here beside me,
      And shall not laugh, eh?

When the American come to the Mission,
Many arrive at the house of Francisca:
One,—he was fine man,—he buy the cattle
      Of José Castro.

So! he came much, and Francisca she saw him:
And it was Love,—and a very dry season;
And the pears bake on the tree,—and the rain come,
      But not Francisca;

Not for one year; and one night I have walk much
Under the olive-tree, when comes Francisca:
Comes to me here, with her child, this Francisca,—
      Under the olive-tree.

Sir, it was sad; … but I speak not the English;
So! … she stay here, and she wait for her husband
He come no more, and she sleep on the hillside;
      There stands Pachita.

Ah! there's the Angelus. Will you not enter?
Or shall you walk in the garden with Pancha?
Go, little rogue—stt—attend to the stranger.
      Adios, Señor.

Pachita (briskly)

So, he's been telling that yarn about mother!
Bless you, he tells it to every stranger:
Folks about yer say the old man's my father;
What's your opinion?

The Old Major Explains
(Re-Union Army of the Potomac, 12th May, 1871.)

"Well, you see, the fact is, Colonel, I don't know as I can come:
For the farm is not half planted, and there's work to do at home;
And my leg is getting troublesome,—it laid me up last fall,
And the doctors, they have cut and hacked, and never found the ball.

"And then, for an old man like me, it's not exactly right,
This kind o' playing soldier with no enemy in sight.
'The Union,'—that was well enough way up to '66;
But this 'Re-Union,'—maybe now it's mixed with politics?

"No? Well, you understand it best; but then, you see, my lad,
I'm deacon now, and some might think that the example's bad.
And week from next is Conference.... You said the 12th of May?
Why, that's the day we broke their line at Spottsylvan-i-a!

"Hot work; eh, Colonel, wasn't it? Ye mind that narrow front:
They called it the 'Death-Angle!' Well, well, my lad, we won't
Fight that old battle over now: I only meant to say
I really can't engage to come upon the 12th of May.

"How's Thompson? What! will he be there? Well, now, I want to know!
The first man in the rebel works! they called him 'Swearing Joe:'
A wild young fellow, sir, I fear the rascal was; but then—
Well, short of heaven, there wa'n't a place he dursn't lead his men.

"And Dick, you say, is coming too. And Billy? ah! it's true
We buried him at Gettysburg: I mind the spot; do you?
A little field below the hill,—it must be green this May;
Perhaps that's why the fields about bring him to me to-day.

"Well, well, excuse me, Colonel! but there are some things that drop
The tail-board out one's feelings; and the only way's to stop.
So they want to see the old man; ah, the rascals! do they, eh?
Well, I've business down in Boston about the 12th of May."